Reading without limits, the perfect plan for #stayhome
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Read online the first chapters of this book!
All characters reduced
George Fetherling's Travel Memoirs 3-Book Bundle - One Russia Two Chinas Running Away to Sea Indochina Now and Then - cover

George Fetherling's Travel Memoirs 3-Book Bundle - One Russia Two Chinas Running Away to Sea Indochina Now and Then

George Fetherling

Publisher: Dundurn

  • 0
  • 0
  • 0

Summary

The travel writing of celebrated writer George Fetherling is filled with vivid prose and bizarre characters. 
 

Includes: 
 


One Russia, Two Chinas 

A travel narrative written over the course of ten years, One Russia, Two Chinas is about change and resistance to change in the postmodern world. A valuable document that freezes some important world events for close inspection. 
 


Running Away to Sea: Round the World on a Tramp Freighter 

At a turning point in his life, George Fetherling embarked on an adventure to sail round the world on one of the last of the tramp freighters. The four-month voyage carried him 30,000 nautical miles from Europe via the Panama Canal to the South Pacific and back by way of Singapore, Indonesia, the Indian Ocean, and Suez. Written with dash, colour, and droll humour, Fetherling’s narrative is peopled by a rich cast of characters, from the Foreign Legionnaires of French Polynesia to the raskol gangs of Papua New Guinea. 
 


Indochina Now and Then 

George Fetherling recounts multiple journeys through Vietnam, Laos, and Cambodia, keeping an eye peeled and an ear cocked for whatever faint traces of French rule might remain. Indochina Now and Then is a travel narrative that leaves an indelible impression in the readers imagination.

Other books that might interest you

  • The Undiscovered Self - With Symbols and the Interpretation of Dreams - cover

    The Undiscovered Self - With...

    C. G. Jung

    • 0
    • 2
    • 0
    These two essays, written late in Jung's life, reflect his responses to the shattering experience of World War II and the dawn of mass society. Among his most influential works, "The Undiscovered Self" is a plea for his generation--and those to come--to continue the individual work of self-discovery and not abandon needed psychological reflection for the easy ephemera of mass culture. Only individual awareness of both the conscious and unconscious aspects of the human psyche, Jung tells us, will allow the great work of human culture to continue and thrive. 
      Jung's reflections on self-knowledge and the exploration of the unconscious carry over into the second essay, "Symbols and the Interpretation of Dreams," completed shortly before his death in 1961. Describing dreams as communications from the unconscious, Jung explains how the symbols that occur in dreams compensate for repressed emotions and intuitions. This essay brings together Jung's fully evolved thoughts on the analysis of dreams and the healing of the rift between consciousness and the unconscious, ideas that are central to his system of psychology. 
      This paperback edition of Jung's classic work includes a new foreword by Sonu Shamdasani, Philemon Professor of Jung History at University College London.
    Show book
  • The Russian Countess - cover

    The Russian Countess

    Edith Sollohub

    • 0
    • 1
    • 0
    Separated from her three young sons, stripped of her possessions and fearing for her life, Countess Edith Sollohub found herself trapped in revolutionary Russia. The daughter of a high-ranking diplomat, Edith was destined to join the social and intellectual elite of Imperial Russia. As a child she spent the summers learning to ride and shoot on the family's country estate; during the winter months her parents hosted lavish parties in their luxurious St Petersburg Apartment. This privileged upbringing would ultimately help her survive the traumatic events of the 1917 revolution. This is Edith's personal account of her escape from Russia in which she assumed new identities as a Polish refugee, a travelling musician and even a Red Army nurse. She would endure hunger, imprisonment and loneliness in the quest to be reunited with her family.
    Show book
  • Jung on Active Imagination - cover

    Jung on Active Imagination

    C. G. Jung

    • 0
    • 1
    • 0
    All the creative art psychotherapies (art, dance, music, drama, poetry) can trace their roots to C. G. Jung's early work on active imagination. Joan Chodorow here offers a collection of Jung's writings on active imagination, gathered together for the first time. Jung developed this concept between the years 1913 and 1916, following his break with Freud. During this time, he was disoriented and experienced intense inner turmoil --he suffered from lethargy and fears, and his moods threatened to overwhelm him. Jung searched for a method to heal himself from within, and finally decided to engage with the impulses and images of his unconscious. It was through the rediscovery of the symbolic play of his childhood that Jung was able to reconnect with his creative spirit. In a 1925 seminar and again in his memoirs, he tells the remarkable story of his experiments during this time that led to his self-healing. Jung learned to develop an ongoing relationship with his lively creative spirit through the power of imagination and fantasies. He termed this therapeutic method "active imagination." 
     This method is based on the natural healing function of the imagination, and its many expressions. Chodorow clearly presents the texts, and sets them in the proper context. She also interweaves her discussion of Jung's writings and ideas with contributions from Jungian authors and artists.
    Show book
  • A Circle of Dead Girls - cover

    A Circle of Dead Girls

    Eleanor Kuhns

    • 0
    • 1
    • 0
    A circus arrives in Durham in the 1790s and the whole town is excited… until the body of a Shaker girl is found beaten.
    1790s. The circus has arrived in Durham, Maine. Before weaver Will Rees is able to take in its spectacle, he spots Magistrate Hanson – the man he blames for his family’s having to flee Dugard two years earlier.
    On his journey home he encounters Shaker brothers searching for a girl from their Zion community. Despite women not being allowed inside the circus, Leah had snuck out to visit it. They quickly come across her lifeless body beaten and thrown into a farmer’s field on the road leading to the circus.
    Bored of his household chores, Rees begins investigating at the expense of his home life. He becomes entranced by the lives of the circus performers, including the charismatic horse rider and tightrope walker. Is his longing for his old journeyman’s life causing him to take his eye off the case, and can he stay out of Hanson’s way and keep his family safe?
    Show book
  • On Psychological and Visionary Art - Notes from C G Jung’s Lecture on Gérard de Nerval's Aurélia - cover

    On Psychological and Visionary...

    C. G. Jung

    • 0
    • 1
    • 0
    In 1945, at the end of the Second World War and after a long illness, C. G. Jung delivered a lecture in Zürich on the French Romantic poet Gérard de Nerval. The lecture focused on Nerval's visionary memoir, Aurélia, which the poet wrote in an ambivalent attempt to emerge from madness. Published here for the first time, Jung’s lecture is both a cautionary psychological tale and a validation of Nerval’s visionary experience as a genuine encounter. 
    Nerval explored the irrational with lucidity and exquisite craft. He privileged the subjective imagination as a way of fathoming the divine to reconnect with what the Romantics called the life principle. During the years of his greatest creativity, he suffered from madness and was institutionalized eight times. Contrasting an orthodox psychoanalytic interpretation with his own synthetic approach to the unconscious, Jung explains why Nerval was unable to make use of his visionary experiences in his own life. At the same time, Jung emphasizes the validity of Nerval’s visions, differentiating the psychology of a work of art from the psychology of the artist. The lecture suggests how Jung’s own experiments with active imagination influenced his reading of Nerval’s Aurélia as a parallel text to his own Red Book. 
    With Craig Stephenson’s authoritative introduction, Richard Sieburth’s award-winning translation of Aurélia, and Alfred Kubin’s haunting illustrations to the text, and featuring Jung’s reading marginalia, preliminary notes, and revisions to a 1942 lecture, On Psychological and Visionary Art documents the stages of Jung’s creative process as he responds to an essential Romantic text.
    Show book
  • Such Sweet Sorrow - cover

    Such Sweet Sorrow

    Richard Bell

    • 0
    • 2
    • 0
    ‘With this moving free verse arising from his sustained encounter with his wife’s cancer, Richard Bell lays bare the intimate reality of loss, from its dark foreshadowing in her fatal diagnosis through the rigors of her treatment to the persistence of her presence even in the yawning absence that followed her death.  In raw honesty and occasional buffering irony, with unconventional images that startle the reader into fresh acts of perception, this poetry illuminates an intimate journey that touched me with both its universality for all mortal beings and with the ultimate particularity that distinguishes each shared life from all others. I recommend it to all of those who stand in the shadow of loss, as well as to readers who seek a deeper understanding of those who do.’ – Robert A. Neimeyer, author of Techniques of Grief Therapy, The Art of Longing, and Rainbow in the Stone
    Show book