Editora: Phoemixx Classics Ebooks
Trilby George Du Maurier - A trilby is a narrow-brimmed type of hat. The trilby was once viewed as the rich man's favored hat; it is sometimes called the "brown trilby" in Britain and was frequently seen at the horse races.
Your Plain & Simple Guide to Reading Destiny in Your Hands. This delightful and practical guide demonstrates how easy it is to read hands for fun and insight. The basic premise here is that our hands provide a glimpse of our personalities, health, strengths, and weaknesses—and even what may happen to us in the future. Each line, mound, and finger is a clue that can easily be deciphered if you have the right information. In Palmistry, Fenton covers the basics of hand reading, including the lines, mounts, fingers, and thumb. She shows readers how to judge someone’s character, health, love and relationship interests, moneymaking ability, and long-term destiny. Chapters include: The Map of the Hand The Phalanges (bones between the fingers and joints) The Major Lines The Minor Lines Love and Relationships How to Make Handprints With this plain and simple guide, you’ll be reading hands like a pro in no time! This book was previously published as Palmistry Plain & Simple.Ver livro
Mastering Fiction with Hollywood's Finest Writers Discover the secrets of successful storytelling from twelve acclaimed writers who have mastered the art of captivating audiences across both the screen and the page. From Nicholas Meyer (The Seven-Per-Cent Solution) to Dennis Palumbo (My Favorite Year), Lawrence Allan (Big Fat F@!k Up), April Smith (Cagney & Lacey), Ken Levine (M*A*S*H, Cheers), Matt Goldman (Seinfeld), Phoef Sutton (Cheers, Boston Legal), Ellen Byron (Wings, Just Shoot Me), John August (Big Fish, Charlie and the Chocolate Factory), Kellye Garrett (Cold Case), Nick Mohammed (Intelligence), and Tom Straw (Night Court), these accomplished authors share their wisdom, wit, and inspiration, providing a master class in storytelling. These storytellers offer invaluable advice on character development, plot structure, dialogue, and more, drawing from their unique experiences in film and television and how those insights have shaped their approach to writing novels. Whether you're an aspiring novelist looking to learn from the best or a film buff curious about the creative process behind your favorite movies and shows, "The Popcorn Principles Strike Back" is a must-read. Don't miss this opportunity to take your writing to the next level with the help of these talented writers. Get your copy today and start applying their invaluable lessons to your own storytelling journey!Ver livro
King Lear is perhaps the most fierce and moving play ever written. And yet there is a curious puzzle at its center. The figure to whom Shakespeare gives more lines than anyone except the king—Edgar—has often seemed little more than a blank, ignored and unloved, a belated moralizer who, try as he may, can never truly speak to the play’s savaged heart. He saves his blinded father from suicide, but even this act of care is shadowed by suspicions of evasiveness and bad faith. In Poor Tom, Simon Palfrey asks us to go beyond any such received understandings—and thus to experience King Lear as never before. He argues that the part of Edgar is Shakespeare’s most radical experiment in characterization, and his most exhaustive model of both human and theatrical possibility. The key to the Edgar character is that he spends most of the play disguised, much of it as “Poor Tom of Bedlam,” and his disguises come to uncanny life. The Edgar role is always more than one person; it animates multitudes, past and present and future, and gives life to states of being beyond the normal reach of the senses—undead, or not-yet, or ghostly, or possible rather than actual. And because the Edgar role both connects and retunes all of the figures and scenes in King Lear, close attention to this particular part can shine stunning new light on how the whole play works. The ultimate message of Palfrey’s bravura analysis is the same for readers or actors or audiences as it is for the characters in the play: see and listen feelingly; pay attention, especially when it seems as though there is nothing there.Ver livro
When people think of the British Royal family, and more specifically where they live, the first image that often pops into mind is that of stately Buckingham Palace, with its changing of the guard and the occasional royal coach leaving or entering. Others may think of the royal country estate of Windsor Castle, a favorite of both Britain’s longest-reigning and second longest-reigning monarchs. And there was a time when both royal residences played second fiddle to a much better known home, the elegant Kensington Palace. Buckingham Palace is not different, for though it was originally built as a home of a private citizen, once a king bought it, its future was sealed. For the French, and those who study their history, Versailles is a symbol of, as Charles Dickens once put it, “the best of times…the worst of times.” It was here that the Sun King, Louis XIV, built a palace worthy of a great nation during a time when peace was, at best, short-lived. It was at Versailles that Russian Tsar Peter the Great studied the palace’s architecture and gardens so that he could recreate them in his home country. Indeed, the greatest minds and artistic geniuses of the later stages of the Renaissance came to Versailles to build and paint, and it was here that Madame de Pompadour and her successor, Madame du Barry, used their wit and beauty to charm a king into doing their bidding. However, as history constantly demonstrates, nothing good lasts forever, and so it was with Versailles. France, like all European countries, has had its fair share of palaces over time, but none suffered the rise and fall of fortune like the Tuileries. Built by a widow with a flair for architecture, it grew for more than a decade, along with the royal family that it housed. Then, during the French Revolution, it fell from grace with that family and even became a sight of execution, its famous gardens providing the background for the infamous guillotine.Ver livro
Immanuel Kant's Fundamental Principles of the Metaphysics of Morals, also known as the Groundwork for the Metaphysics of Morals, is a seminal work in ethical philosophy. In this text, Kant attempts to establish a foundation for morality that is based on reason and rationality rather than on feelings or consequences. The central idea in the text is the concept of the "categorical imperative," which is a principle that is binding on all rational beings regardless of their personal desires or goals. According to Kant, the categorical imperative is the ultimate test of moral action and serves as a guide for determining whether an action is morally right or wrong. Kant argues that the categorical imperative can be formulated in different ways, but the most famous version is the "formula of universal law." This formula states that one should act only according to the maxim by which you can at the same time will that it should become a universal law. In other words, if you can imagine a world where everyone acts in the same way as you, and that world would still be morally acceptable, then your action is morally permissible. Kant also distinguishes between actions that are done from a sense of duty and those that are done from inclination. An action done from a sense of duty is one that is done solely because it is the right thing to do, not because it leads to any personal benefit or pleasure. Kant argues that only actions done from a sense of duty have moral worth and that actions done from inclination are merely praiseworthy but not necessarily moral. In addition, Kant emphasizes the importance of respecting human dignity and autonomy. He argues that human beings are inherently valuable and that they should never be treated merely as means to an end. Instead, they should always be treated as ends in themselves, which means that their dignity and autonomy should be respected and protected.Ver livro
Randall Balmer was a late convert to sports talk radio, but he quickly became addicted, just like millions of other devoted American sports fans. As a historian of religion, the more he listened, Balmer couldn’t help but wonder how the fervor he heard related to religious practice. Houses of worship once railed against Sabbath-busting sports events, but today most willingly accommodate Super Bowl Sunday. On the other hand, basketball’s inventor, James Naismith, was an ardent follower of Muscular Christianity and believed the game would help develop religious character. But today those religious roots are largely forgotten. Here one of our most insightful writers on American religion trains his focus on that other great passion—team sports—to reveal their surprising connections. From baseball to basketball and football to ice hockey, Balmer explores the origins and histories of big-time sports from the late nineteenth century to the present, with entertaining anecdotes and fresh insights into their ties to religious life. Referring to Notre Dame football, the Catholic Sun called its fandom “a kind of sacramental.” Legions of sports fans reading Passion Plays will recognize exactly what that means.Ver livro
