Altri libri che potrebbero interessarti

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  Ode - The Age of Dryden' is a...

  John Dryden

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  John Dryden was born on August 9th, 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire. As a boy Dryden lived in the nearby village of Titchmarsh, Northamptonshire. In 1644 he was sent to Westminster School as a King's Scholar.  
  Dryden obtained his BA in 1654, graduating top of the list for Trinity College, Cambridge that year.  
  Returning to London during The Protectorate, Dryden now obtained work with Cromwell's Secretary of State, John Thurloe. 
   At Cromwell's funeral on 23 November 1658 Dryden was in the company of the Puritan poets John Milton and Andrew Marvell.  The setting was to be a sea change in English history. From Republic to Monarchy and from one set of lauded poets to what would soon become the Age of Dryden. 
  The start began later that year when Dryden published the first of his great poems, Heroic Stanzas (1658), a eulogy on Cromwell's death.  
  With the Restoration of the Monarchy in 1660 Dryden celebrated in verse with Astraea Redux, an authentic royalist panegyric. 
   With the re-opening of the theatres after the Puritan ban, Dryden began to also write plays. His first play, The Wild Gallant, appeared in 1663 but was not successful. From 1668 on he was contracted to produce three plays a year for the King's Company, in which he became a shareholder. During the 1660s and '70s, theatrical writing was his main source of income.  
  In 1667, he published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London in 1666. It established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate (1668) and then historiographer royal (1670). 
  This was truly the Age of Dryden, he was the foremost English Literary figure in Poetry, Plays, translations and other forms. 
  In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. It was a national event.  
  John Dryden died on May 12th, 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later.

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  Rhyme A Dozen A - Heaven - 12...

  Rupert Brooke, W B Yeats, Ben...

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  ‘A dime a dozen’ as known in America, is perhaps equal to the English ‘cheap as chips’ but whatever the lingua franca of your choice in this series we hereby submit ‘A Rhyme a Dozen’ as 12 poems on many given subjects that are a well-rounded gathering, maybe even an essential guide, from the knowing pens of classic poets and their beautifully spoken verse to the comfort of your ears. 
   
  01 - A Rhyme A Dozen - 12 Poems, 12 Poets, 1 Topic - Heaven - An Introduction 
  02 - Heaven by Rupert Brooke 
  03 - I Would To Heaven That I Was So Much Clay by Lord Byron 
  04 - New Heaven and Earth by D H Lawrence 
  05 - He Wishes For the Cloths of Heaven by W B Yeats 
  06 - Song To Mary In Heaven by Robert Burns 
  07 - To Heaven by Ben Jonson 
  08 - I Went To Heaven by Emily Dickinson 
  09 - How I Walked Alone in the Jungles of Heaven by Vachal Lindsay 
  10 - Men Are Heavens Piers by Robert Louis Stevenson 
  11 - To One In Paradise by Edgar Allan Poe 
  12 - God Lay Dead In Heaven by Stephen Crane 
  13 - If Stars Dropped Out of Heaven by Christina Georgina Rossetti

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  The Human Body is a Hive

  Erica Gillingham

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  Composed in two halves, Erica Gillingham's The Human Body is a Hive is a playful and observant reconception of queer love and queer family-making. Opening with a shameless celebration of sex and desire, the collection expands the boundaries of love to include friendship, romance, and lifelong partnership. The latter catalogues the cyclical heartbreaks and wonders of fertility treatment through the microscopic lenses of nature, medicine, and art. Both quietly moving and profoundly celebratory, this exciting debut evokes tenderness and resilience.

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  Favour

  Ambreen Razia

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  'I'm going to answer all your wishes, bubba! Big or small, it'll be me who makes them come true, no one else.'
  Leila is happy living at home with Noor, her loving but traditional grandmother. But when Aleena, her fiercely independent mother, returns home from prison determined to deliver a new world of fun and excitement, their calm lives are upended in a blur of nail varnish and sweet treats.
  Family secrets come tumbling into the light, and Leila finds the task of deciding on her future more difficult than she first thought.
  Ambreen Razia's play Favour is a touching and hopeful family drama about a working-class Muslim family, tackling duty, addiction and the challenge of pulling yourself back together after it all falls apart. It was a Bush Theatre and Clean Break co-production and premiered at the Bush, London, in 2022, directed by Róisín McBrinn and Sophie Dillon Moniram.

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  Marcus Douglas Presents The...

  Marcus Douglas

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  New Jerusalem stands sealed away from a world destroyed by disease and war, but their Orator Nebuchadnezzar has led them astray from what built their utopia. In the wake of his pride, a new disease began ravaging the city until one of the seven Localities needed to be sealed off for the good of the others. 
  With the city foundering, critical systems grinding to a halt, and food stores dwindling, they find hope in young David Shakir, whose grandfather founded this great haven. But will that burden crush the young boy whose spent his life thought sickly and weak, confined to his wheelchair? 
  The city looks to David and his closeness to God for leadership and his armor bearer, Elijah Ruiz. Can they be able to lead them out of these dark times, or will the looming threat within the sealed off Locality Seven consume them all?

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  Primordial - Poems

  Mai Der Vang

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  Mai Der Vang's poetry—lyrically insistent and visually compelling—constitutes a groundbreaking investigation into the collective trauma and resilience experienced by Hmong people and communities, the ongoing cultural and environmental repercussions of the war in Vietnam, the lives of refugees afterward, and the postmemory carried by their descendants. Primordial is a crucial turn to the ecological and generational impact of violence, a powerful and rousing meditation on climate, origin, and fate. 
   
   
   
  With profound and attentive care, Vang addresses the plight of the saola, an extremely rare and critically endangered animal native to the Annamite Mountains in Laos and Vietnam. Remarkably, the saola has only been known to the outside world since 1992, and sightings are so rare that it has now been more than a decade since the last known image of one was captured in a camera trap photo in 2013. 
   
   
   
  Primordial examines the saola's relationship to Hmong refugee identity and cosmology and a shared sense of exile, precarity, privacy, and survival. Can a war-torn landscape and memory provide sanctuary, and what are the consequences for our climate, our origins, our ability to belong to a homeland? Written during a difficult pregnancy and postpartum period, Vang's poems are urgent stays against extinction.

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