Publisher: Glissato Edizioni Musicali
"Oh Happy day" - Traditional. Arrangement for Flute quintet/choir by Francesco Leone (intermediate level). Score and Parts (9): C piccolo optional, Flute 1, Flute 2, Flute 3, Flute 4 , G Alto optional (parts 4 - 5) Flute 5 and Bass Flute. Audio demo available on www.glissato.it -
“This passionate, carefully researched, richly detailed, well-written study” reveals the political motives behind WWII Hollywood’s portrayal of Poles (Choice). During World War II, Hollywood studios supported the war effort by making patriotic movies designed to raise the nation's morale. Often the characterizations were as black and white as the movies themselves: Americans and their allies were heroes, while everyone else was a villain. The peoples of Norway, France, Czechoslovakia, and England were all good because they had been invaded or victimized by Nazi Germany. Yet Poland—the first country to be invaded by the Third Reich—was repeatedly represented in a negative light. In this prize-winning study, Polish historian M. B. B. Biskupski explores why. Biskupski presents a close critical study of prewar and wartime films such as To Be or Not to Be, In Our Time, and None Shall Escape. Through memoirs, letters, diaries, and memoranda written by screenwriters, directors, studio heads, and actors, Biskupski examines how the political climate, and especially pro-Soviet sentiment, influenced Hollywood films of the time. Winner of the Oscar Halecki PrizeA Choice Outstanding Academic TitleShow book
An archaeologist and art historian examines the impact of literacy on visual art during the early urban period in the Near East. Denise Schmandt-Besserat opened a new chapter in the history of literacy when she demonstrated that the cuneiform script invented in the ancient Near East in the late fourth millennium BC—the world's oldest known system of writing—derived from an archaic counting device. Her discovery, was published in Before Writing: From Counting to Cuneiform and How Writing Came About, which was named by American Scientist as one of the “100 or so Books that shaped a Century of Science.” In When Writing Met Art, Schmandt-Besserat expands her history of writing into the visual realm. Using examples of ancient Near Eastern writing and masterpieces of art, she shows that between 3500 and 3000 BC the conventions of writing—everything from its linear organization to its semantic use of the form, size, order, and placement of signs—spread to the making of art, resulting in artworks that presented complex visual narratives in place of the repetitive motifs found on preliterate art objects. Schmandt-Besserat then demonstrates art's reciprocal impact on the development of writing. She shows how, beginning in 2700-2600 BC, the inclusion of inscriptions on funerary and votive art objects emancipated writing from its original accounting function. To fulfill its new role, writing evolved to replicate speech; this made it possible to compile, organize, and synthesize unlimited amounts of information. Schmandt-Besserat’s pioneering investigation documents a turning point in human history, when two of our most fundamental information media reciprocally multiplied their capacities to communicate. When writing met art, literate civilization was born.Show book
Summary of John Seabrook’s The Song Machine recounts the last 20 years of music industry history, describing how changes in taste, technology, and industry practice have shaped the hit songs that currently dominate radio and streaming services. Despite some early predictions that technologies like the music-sharing service Napster would make hit songs obsolete, hits are just as important to the music industry now as ever before…Show book
"They hated us and started throwing cups, bottles, change, chairs, and anything that wasn't nailed down." (Dean Ween) This hilarious, sometimes horrifying, collection spans four decades and chronicles the craziest, druggiest, and most embarrassing concert moments in music history - direct from the artists who survived them. "In the midst of my insanity, I thought it would be a very romantic gesture to go into Fiona Apple's dressing room and write a message on her wall in my own blood." (Dave Navarro) From wardrobe malfunctions to equipment failures, from bad decisions to even worse choices, this is a riveting look into what happens when things go wrong onstage and off. No Encore! is an unflinchingly honest account of the shows that tested the dedication to a dream - from Alice Cooper's python having a violent, gastric malfunction on stage to Lou Barlow's disastrous attempt to sober up at Glastonbury, from Shirley Manson's desperate search for a bathroom to the extraordinary effort made to awaken Al Jourgenson as Ministry was taking the stage. As Hunter S. Thompson famously wrote, "Buy the ticket, take the ride."Show book
Inspired by designers who break away from the pack, Tineke Triggs is known for creating soulful, artistic and imaginative interiors. By mastering both the art and science of design, her work gives rise to a distinct form of design mixology—each home as individual as each of her clients. This book includes an eclectic mix of projects from ski houses in Lake Tahoe and beachfront getaways in Northern and Central California, to reimagined period Victorians to modern homes in Marin County and Silicon Valley.Show book
“Reveals in fascinating detail the wild popularity, controversies, and complaints provoked by this film form . . . shap[ing] the media landscape of Africa.” —Brian Larkin, Barnard College Global Nollywood considers this first truly African cinema beyond its Nigerian origins. In fifteen lively essays, this volume traces the engagement of the Nigerian video film industry with the African continent and the rest of the world. Topics such as Nollywood as a theoretical construct, the development of a new, critical film language, and Nollywood’s transformation outside of Nigeria reveal the broader implications of this film form as it travels and develops. Highlighting controversies surrounding commodification, globalization, and the development of the film industry on a wider scale, Global Nollywood gives sustained attention to Nollywood as a uniquely African cultural production. “Offers original material with respect to the transnational presence of Nollywood.” ?Moradewun Adejunmobi, University of California, Davis “Unveils a fascinating variety of the ways in which Nollywood cinema is viewed and interpreted.” ?Research in African Literatures “Delightfully entertaining yet appropriately erudite. . . . A welcome addition to the fields of film, media, African, and cultural studies.” —Cinema Journal “Highly recommended.” ?Choice “[T]he cumulative effect of [these] studies is to provide invaluable information for those wishing to keep up with where African cinema is today.” ?Journal of African History “Global Nollywood represents the most up-to-date research on Nollywood as a transnational cultural practice and is a must-read for scholars and students of African screen media.” —African Studies Review “Ground-breaking. . . . It proves that, in spite of appearing to be a niche market, Nollywood . . . can no longer be excluded from the canon of African cinema in the field of film studies.” ?African AffairsShow book
