At fifteen, Turner was already exhibiting View of Lambeth. He soon acquired the reputation of an immensely clever watercolourist. A disciple of Girtin and Cozens, he showed in his choice and presentation of theme a picturesque imagination which seemed to mark him out for a brilliant career as an illustrator. He travelled, first in his native land and then on several occasions in France, the Rhine Valley, Switzerland and Italy. He soon began to look beyond illustration. However, even in works in which we are tempted to see only picturesque imagination, there appears his dominant and guiding ideal of lyric landscape. His choice of a single master from the past is an eloquent witness for he studied profoundly such canvases of Claude as he could find in England, copying and imitating them with a marvellous degree of perfection. His cult for the great painter never failed. He desired his Sun Rising through Vapour and Dido Building Carthage to be placed in the National Gallery side by side with two of Claude’s masterpieces. And, there, we may still see them and judge how legitimate was this proud and splendid homage. It was only in 1819 that Turner went to Italy, to go again in 1829 and 1840. Certainly Turner experienced emotions and found subjects for reverie which he later translated in terms of his own genius into symphonies of light and colour. Ardour is tempered with melancholy, as shadow strives with light. Melancholy, even as it appears in the enigmatic and profound creation of Albrecht Dürer, finds no home in Turner’s protean fairyland – what place could it have in a cosmic dream? Humanity does not appear there, except perhaps as stage characters at whom we hardly glance. Turner’s pictures fascinate us and yet we think of nothing precise, nothing human, only unforgettable colours and phantoms that lay hold on our imaginations. Humanity really only inspires him when linked with the idea of death – a strange death, more a lyrical dissolution – like the finale of an opera.
This playful collection of rainbows is a bright and beautiful appreciation of all the color that surrounds us. Artist Julie Seabrook Ream invites us to see the extraordinary beauty of ordinary objects: she gathers colorful iterations of a single type of thing, from feathers to fishing gear, matchbooks to macarons, and neatly arranges them in rainbow order. A fascinating index details all the objects in each rainbow, bringing the magnetic appeal of meticulous organization to this burst of color in book form. A striking package— with foil stamping on the cover and a rainbow-colored exposed spine—makes this celebratory book a treasure for those who love art, design, and a fresh perspective.
Asylum Press przedstawia zbiór świeżych, cuchnących zgnilizną opowieści o żywych trupach. Na łamach tej antologii swój talent zaprezentowała międzynarodowa grupa artystów. W Ściętych głowach Frank Forte opowiada o szalonym wieśniaku zbierającym trofea po zabitych przez siebie zombiakach. Uczta to historia autorstwa Royala McGraw i Aduato Silvy, w której wybitny szef kuchni wpada w sidła zachłannego gangstera. Natomiast w Nienawiści stworzony przez Douga Williamsa bohater niedawno przemienił się w zombi, lecz wciąż tkwią w nim resztki człowieczeństwa… których nienawidzi. Wszystkiego dopełniają całostronicowe ilustracje wykonane przez Davida Hartmana. Te historie zmrożą ci krew w żyłach!
Stripped of The Necronomicon, Lori travels to San Francisco to attend the Miskatonic Pop Festival where rock star Elston Gunn is using its power to summon fame and fortune. Little does he know that's he's unleashed evil incarnate onto the streets of the city by the bay. Only Lori Lovecraft can set things right…if she gets there in time.
“I'm done hurting her. She's been hurt enough. It's time I set her free...”
Once upon a time, I wished to go home and forget.
Now, I’m strong and ready to fight.
Seduced and claimed, Elder no longer just demands my voice, he commands me to be a thief like him.
But he offers me things I shouldn’t want, favours I should run from.
In return for his protection, I’m ordered to steal enough pennies and dollars to buy back my freedom.
Only, we both aren’t prepared for how he changes me, evolves me.
And now, it’s my turn to learn about him.
Book 3 in the USA Today Bestselling Romance, Dollar Series
Bruce Springsteen often prefers to let his music do the talking. His onstage stories and shaggy dog tales have long entertained his fans, but his songs and his guitar provide the most direct line to their hearts. Considering his prominence on the rock 'n' roll landscape, Springsteen has spent remarkably little of his 40-year recording career speaking to the press. But when he does decide to sit down and talk, the conversations tend to be momentous. Q&As with Bruce Springsteen reveal an artist with great insight and self-awareness, a student of music, an avid searcher, an astute observer of humanity from the boardwalk to America at large. Much has been written about the Boss, but few can be said to know the man as well as he knows himself, and the best of Springsteen's own words are collected here in Talk About a Dream. Gathering more than 30 different interviews spanning from 1973 to 2013, this volume captures his remarkable personality-one that takes interviews as seriously as making music. These eye-opening conversations chart Springsteen's development as an artist, a thinker, and a public figure, shedding light on everything from the meaning of lyrics to his evolution from rebel rocker to global icon.
What advice would your 80-year-old self give you? That is the question artist Susan O'Malley, who was herself to die far too young, asked more than a hundred ordinary people of every age, from every walk of life. She then transformed their responses into vibrant text-based images. From a prompt to do things that matter to your heart, to a reminder that it's okay to have sugar in your tea, these are calls to action and words to live by—heartfelt, sometimes humorous, and always fiercely compassionate. This stirring celebration of our collective humanity unveils the wisdom we hold inside ourselves right now.
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