The Dance of Legislation has long been considered a classic description of the legislative process. In it, Eric Redman draws on his two years as a member of Senator Warren Magnuson�s staff to trace the drafting and passing of a piece of legislation � S.4106, the National Health Service Bill � with all the maneuvers, plots, counterplots, frustrations, triumphs, and sheer work and dedication involved. He provides a vivid picture of the bureaucratic infighting, political prerogatives, and Congressional courtesies necessary to make something happen on Capitol Hill. In a Postscript to the 2000 edition, Redman reflects on how that process has, and has not, changed in the thirty years since the book was first published.
Edward Teach Blackbeard-is one of the legends of the so-called golden age of piracy. There have been so many accounts of his short, bloody career that it is hard to see him and his times in a clear historical light. This new study looks for the man behind the legend, and it gives a vivid insight into the nature of piracy and the naval operations that were launched against it.The narrative focuses on the roles played by the Governor of Virginia Alexander Spotswood who masterminded the pursuit of Blackbeard, and Lieutenant Robert Maynard of HMS Pearl who led the pursuit and finally cornered Teach and his crew and, after a vicious fight, saw him killed.In vivid detail, it reveals how the hunt for Blackbeard was orchestrated, how he was tracked down, and the parts played in the drama by the larger-than-life leading characters in this extraordinary story. This freshly researched study of the pursuit of the notorious pirate and his crew—and of the final fight in which Blackbeard lost his life—makes compelling reading.
This satirical short novel displays a side of Cooper unfamiliar to many modern readers. It is told from the point of view of an actual handkerchief: its origins in a French flax field, how it was passed around New York City society in the 1830s, and its eventual return to its maker. In this story, Cooper makes a point of ridiculing Victorian materialism—which places value on consumption, not production.
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