A very long time ago, hordes of demons came out from the depths of Hell to conquer Earth and dominate humanity. Witnessing the war between Demons and Humans, Gods decided to make a divine creature, powerful enough to become their champion. They called this creature Raaj, and sent him to Earth so that he could wage his own war against demons. Raaj slaughtered every demon he could find without mercy. Then, seeing no more demons to fight, Raaj began to slaughter humans too. Appalled by the acts of their creature, whom humans came to call "Rage", Gods descended to Earth and imprisoned him in the heart of a mountain. Thousands of years have passed, and demons have now begun to reappear on Earth. Master Demon Torg has conquered one of the fortresses of King Kothas, Lord of the Kingdom of Arthkan. After having slaughtered entire armies, Torg is asking for supplies and sacrifices. Knowing about the Legend of Rage, King Kothas orders High Mage Nicodemus to mount an expedition to the mountain where Rage has been imprisoned. And to free him.
The first in New York Times bestselling author Michael Grant's breathtaking dystopian sci-fi saga, Gone is a page-turning thriller that invokes the classic The Lord of the Flies along with the horror of Stephen King.
In the blink of an eye, everyone disappears. Gone. Except for the young. There are teens, but not one single adult. Just as suddenly, there are no phones, no internet, no television. No way to get help. And no way to figure out what's happened.
Hunger threatens. Bullies rule. A sinister creature lurks. Animals are mutating. And the teens themselves are changing, developing new talents—unimaginable, dangerous, deadly powers—that grow stronger by the day.
It's a terrifying new world. Sides are being chosen, a fight is shaping up. Townies against rich kids. Bullies against the weak. Powerful against powerless. And time is running out: on your birthday, you disappear just like everyone else. . . .
Michael Grant's Gone has been praised for its compelling storytelling, multidimensional characters, and multiple points of view.
The captivating third book in Kiera Cass’s #1 New York Times bestselling Selection series
America Singer searches for her happily ever after in this swoon-worthy YA dystopian romance, perfect for readers who loved Veronica Roth’s Divergent, Lauren Oliver’s Delirium, or Renée Ahdieh’s The Wrath & the Dawn.
Entering the Selection changed America Singer's life in ways she never could have imagined. Since she arrived at the palace, America has struggled with her feelings for her first love, Aspen—and her growing attraction to Prince Maxon. Now she's made her choice . . . and she's prepared to fight for the future she wants.
She's a tomboy. He's the boy next door.
With three older brothers, Charlotte Reynolds, aka Charlie, has always been more comfortable calling the shots on a basketball court than flirting with the opposite sex. So when her police officer dad demands she get a summer job to pay for the latest in a long line of speeding tickets, she's more than a little surprised to find herself working at a chichi boutique and going out with a boy who has never seen her tear it up in a pickup game. Charlie seeks late-night refuge in her backyard, talking out her problems with her neighbor and honorary fourth brother, Braden, sitting back-to-back against the fence that separates them. Braden may know her better than anyone. But there's a secret Charlie's keeping that even he hasn't figured out—she's fallen for him. Hard. She knows what it means to go for the win, but if spilling her secret means losing him for good, the stakes just got too high.
On the Fence is a sweet and satisfying read about finding yourself and finding love where you least expect it.
This contemporary twist on Jane Austen's Emma features the signature wit and swoon-worthy romance of beloved author Claire LaZebnik's other fan favorites Epic Fail, The Trouble with Flirting, and The Last Best Kiss.
Ellie Withers is definitely not spoiled, so she wishes that George Nussbaum would stop implying that she is. It's not her fault that her stepfather became a TV star and now they live in a big house and people fawn over her wherever she goes. She doesn't even like being fawned over. Fortunately, her two closest friends understand her a lot better than George: Heather Smith loved her before she even knew who Ellie's stepfather was, and handsome Aaron Marquand has a father who's just as famous.
With Aaron back in town and very much in her life, Ellie feels like things are just fine—or would be if her mother hadn't hired George to tutor her. George has a habit of making Ellie feel a little less sure of herself, a little less on top of the world, a little less right about everything. It's almost like he wants her to be a better person than she is.
When Ellie's plans for her family, her friends, and even her love life don't turn out the way she imagined, she begins to wonder if maybe she could stand to learn a thing or two after all . . . and whether it's possible—or even likely—that the perfect person to teach her is the last person she'd expect.
After queuing up at the cakeshop of luuurve for ages, I have accidentally bought two cakes.
And I am sitting in a bush.
Georgia thought her heartbreak-osity troubles were over when Masimo announced that he wanted to be her one and only. But just as she hits Swoon City, Robbie, the original Sex God, shows up. How in the world has Georgia accidentally acquired two Sex Gods?
Before Georgia can decide what to do next, she must figure out what Robbie's intentions are—and if his sudden re-appearance changes her mind about Masimo. And as much as she wants to turn to Dave the Laugh for help, he's another romantic thorn (and prospective snoggee) in her side. Will Georgia ever get off the rack of love once and for all?
It's been seven months since all the adults disappeared. Gone. It happens in one night: a girl who died now walks among the living; Zil and the Human Crew set fire to Perdido Beach; and amid the flames and smoke, Sam sees the figure of the boy he fears the most: Drake. But Drake is dead—or so they thought.
Perdido Beach burns and battles rage: Astrid against the Town Council; the Human Crew versus the mutants; and Sam against Drake, who is back from the dead and ready to finish where he and Sam left off. They say that death is a way to escape the FAYZ, but are the kids of Perdido Beach desperate enough to believe that death will set them free?
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