Other books that might interest you

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  Three Short Works

  Gustave Flaubert

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  This book consists of the short stories "A Simple Soul", "Saint Julian the Hospitalier," and "Dance of Death"."The Legend of Saint Julian the Hospitalier" - Julian is predicted at birth to do great things. His father is told that he will marry into the family of a great emperor, while his mother is told he will be a saint. However, Julian joins a band of vagrants, and they eventually grow into a huge army under his control...

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  The Monkey's Paw

  W. W. Jacobs

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  Be careful what you wish for.W.W.Jacob's famous horror story about the monkey's paw, a talisman which has had a spell cast on it, enabling three people each to have three wishes...which come true with devastating consequences.

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  Pygmalion

  George Bernard Shaw

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  Pygmalion is a play by George Bernard Shaw, named after a Greek mythological character. It was first presented on stage to the public in 1912. Professor of phonetics Henry Higgins makes a bet that he can train a bedraggled Cockney flower girl, Eliza Doolittle, to pass for a duchess at an ambassador's garden party by teaching her to assume a veneer of gentility, the most important element of which, he believes, is impeccable speech. 
  The play is a sharp lampoon of the rigid British class system of the day and a commentary on women's independence. In ancient Greek mythology, Pygmalion fell in love with one of his sculptures, which then came to life. The general idea of that myth was a popular subject for Victorian era English playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story called Pygmalion and Galatea first presented in 1871. Shaw also would have been familiar with the burlesque version, Galatea, or Pygmalion Reversed. Shaw's play has been adapted numerous times, most notably as the musical My Fair Lady and the film of that name.

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  Mary Louise

  L. Frank Baum

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  Mary Louise is a young girl, very honest and wise beyond her years. This at times put her at odds with her classmates at school, but she is mature enough to not be bothered by their attitudes for the most part. Mary Louise lived with her mother and grandfather, with whom she was very close. She is shocked one day when, after her grandfather had an awkward encounter with a man on their walk, her grandfather sits her down and tells her that he and her mother must leave her for awhile. He makes arrangements for her to board at school and sneaks off with his daughter in the middle of the night. Mary Louise is upset and then astounded to find out that her grandfather is running from the law. As the other children at school find out the circumstances surrounding Mary Louise's situation, they begin to relentlessly tease and trouble her. Mary Louise eventually runs away and finds a friend of her grandfather's, but also discovers that the law is trailing her as well. A host of mysterious characters begin filtering into Mary Louise's new life with the Conants and her friend Irene, and it is only a matter of time before Mary Louise finds out all these new people coming together is no coincidence. With Irene's help, Mary Louise finally unravels the mystery surrounding her family. A Gildan Audio production.

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  Bloomsday on Broadway XXIV:...

  James Joyce

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  Bloomsday on Broadway celebrates June 16, 1904, the most famous fictional date in literature, when Leopold Bloom walked around Dublin in the pages of James Joyce's Ulysses. Since 1981, Hundreds of acclaimed actors have joined avid Joyceans, writers, critics and scholars on stage at Symphony Space to read selections from the book that heralded the birth of modern literature. Bloomsday on Broadway XXIV: Leopold's Women Bloom was recorded at Peter Norton Symphony Space in New York City on Thursday, June 16th 2005 from 7pm until after midnight, broadcast live on WBAI and streamed over the internet on The Bloomsday Radio Network at symphonyspace.org.

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  Frankenstein

  A.S. Peterson

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  "There is something at work in my soul which I do not understand." Pushing the limits of science and morality in his search for acceptance and purpose, Victor Frankenstein unleashes on the world a creation that he cannot control. To celebrate the 200th anniversary of Mary Shelley's gothic novel, A. S. Peterson (The Battle of Franklin) adapts the tale for the stage and creates an experience that will leave you pondering your own sense of belonging long after the curtain has fallen. Produced with a multi-voice cast in a radio theater style.

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