'Has everyone always been in love with you? Of course they have, who am I kidding? What did they say about Helen of Troy? That her face launched a thousand ships? That's you, you're that beautiful. A thousand ships'
New York City in the eighties, and at its decadent heart is Guy. The darling of Fire Island's gay community and one of New York's top male models, Guy is gliding his way to riches that are a world away from his modest provincial upbringing back home in France. Like some modern-day Dorian Gray he seems untouched by time: the decades pass, fashions change, yet his beauty remains as transcendent and captivating as ever.
Such looks cannot help but bring him adoration. From sweet yet pathetic Fred to the wealthy and masochistic Baron, from the acerbic and cynical Pierre-Georges to Andre, fabricating Dalí fakes and hurtling towards prison and the abyss, all are in some way fixated on him. In return for the devotion and expensive gifts they lavish on him, he plays with unswerving loyalty whatever role they project onto him: unattainable idol, passionate lover, malleable client. But just as the years are catching up on his smooth skin and perfect body, so his way of life is closing in on him and destroying the men he loves.
Edmund White has in Our Young Man created some of the richest representations of gay male identity, from the disco era to the age of AIDs. What links them all is the allure and enchantment they find in beauty. Revelling in its magic, Our Young Man nonetheless slips beneath the seductive surface to examine its dangerous depths, exploring its power to fascinate, enslave and deceive. Mesmerising, blackly comic, and delicately crafted, this is an exquisite novel from a contemporary master.
John Dos Passos’s literary response to Franklin Delano Roosevelt’s New Deal, The Grand Design critiques the gargantuan growth of bureaucracy in Washington during the Great Depression and World War II. The satiric novel conveys the author’s frustration with federal overreach and the hollow rhetoric that sells it to the people. “War is a time of Caesars,” writes Dos Passos as he laments the death of idealistic, intelligent enterprises at the desks of elitist administrators. After witnessing the Spanish Civil War claim so many well-intentioned men, he advises caution for America’s New Dealers: “Some things we have learned, but not enough; there is more to learn. Today we must learn to found again in freedom our republic.”
A country house weekend in rural Cornwall ends in murder and mayhem for crime-writer sleuth Donald Langham and his wife Maria.“It’s time to let bygones be bygones. Water under the bridge, right? What happened … happened a long time ago.”When Langham’s literary agent receives a cryptic letter inviting him to spend the weekend at the grand Cornish home of successful novelist Denbigh Connaught, Charles Elder seems reluctant to attend. What really happened between Elder and Connaught during the summer of 1917, nearly forty years before – and why has it had such a devastating effect on Charles?Accompanying his agent to Connaught House, Langham and his wife Maria discover that Charles is not the only one to have received a letter. But why has Denbigh Connaught gathered together a group of people who each bear him a grudge?When a body is discovered in Connaught’s study, the ensuing investigation uncovers dark secrets that haunt the past of each and every guest – including Charles Elder himself …
The theft of a painting takes crime-writer sleuth Donald Langham to a country house full of seething tensions, resentment and dark secrets.
November, 1956. Lord Elsmere, an old friend of Donald Langham’s literary agent, Charles Elder, is in a pickle – his favourite painting, a Gainsborough, has been stolen from under his nose. What’s more, there’s no evidence of a break-in. The family heirloom was recently re-insured for a hefty price, and Elsmere is struggling financially. Could he have staged the theft, or was it taken by one of the guests?
Old Major Rutherford, evasive beauty Rebecca Miles, Dutch war hero Patrick Verlinden, Elsmere’s son Dudley Mariner and his statuesque sculpture fiancée, Esmeralda Bellamy, are all guests at the manor. But who would steal the painting, and why?
Private investigators Langham and Ralph Ryland take on the case and soon uncover seething animosities, jealousy, secrets and deception, before events take a shocking turn…
The first installment of Bernard Cornwell’s New York Times bestselling series chronicling the epic saga of the making of England, “like Game of Thrones, but real” (The Observer, London)—the basis for The Last Kingdom, the hit Netflix series.
This is the exciting—yet little known—story of the making of England in the 9th and 10th centuries, the years in which King Alfred the Great, his son and grandson defeated the Danish Vikings who had invaded and occupied three of England’s four kingdoms.
The story is seen through the eyes of Uhtred, a dispossessed nobleman, who is captured as a child by the Danes and then raised by them so that, by the time the Northmen begin their assault on Wessex (Alfred’s kingdom and the last territory in English hands) Uhtred almost thinks of himself as a Dane. He certainly has no love for Alfred, whom he considers a pious weakling and no match for Viking savagery, yet when Alfred unexpectedly defeats the Danes and the Danes themselves turn on Uhtred, he is finally forced to choose sides. By now he is a young man, in love, trained to fight and ready to take his place in the dreaded shield wall. Above all, though, he wishes to recover his father’s land, the enchanting fort of Bebbanburg by the wild northern sea.
This thrilling adventure—based on existing records of Bernard Cornwell’s ancestors—depicts a time when law and order were ripped violently apart by a pagan assault on Christian England, an assault that came very close to destroying England.
Money is the root of all evil, according to the Reverend Mother – but is it the motive for her cousin's murder?
Wealthy widow Charlotte Hendrick had always promised that her riches would be divided equally between her seven closest relatives when she died. Now she has changed her mind and summoned her nearest and dearest, including her cousin, the Reverend Mother, to her substantial home on Bachelor's Quay to inform them of her decision. As Mrs Hendrick's relatives desperately make their case to retain a share of her wealth, riots break out on the quays outside as the flood waters rise ...
The following morning, a body is discovered in the master bedroom, its throat cut. Could there be a connection to the riots of the night before – or does the killer lie closer to home? In her efforts to uncover the truth, the Reverend Mother unearths a tale of greed, cruelty, forbidden passion ... and cold-blooded malice.
The New York Times bestselling author of Desert God and Pharaoh adds another chapter to his popular historical saga featuring the seafaring Tom Courtney, the hero of Monsoon and Blue Horizon, with this magnificent swashbuckling saga set in the eighteenth century and packed with action, violence, romance, and rousing adventure.
Tom Courtney, one of four sons of master mariner Sir Hal Courtney, once again sets sail on a treacherous journey that will take him across the vast reaches of the ocean and pit him against dangerous enemies in exotic destinations. But just as the winds propel his sails, passion drives his heart. Turning his ship towards the unknown, Tom Courtney will ultimately find his destiny—and lay the future for the Courtney family.
Wilbur Smith, the world’s greatest storyteller, once again recreates all the drama, uncertainty, and courage of a bygone era in this thrilling saga of the sea.
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