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  The Tapestried Chamber - From...

  Sir Walter Scott

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  Sir Walter Scott, 1st Baronet, FRSE, was a Scottish playwright, novelist and poet who became the first English-language author to be internationally celebrated within their own lifetime. Although he wrote extensively, he was by profession an advocate and judge, and continued to practice alongside his writing career.  Scott was fascinated by the oral tradition of the Scottish borders, with its poetry, folklore and legend, and he collected stories throughout his youth and as a young man, almost obsessively.  Scott’s friend, James Ballantyne, had founded a printing press in 1796 , and had published much of Scott’s early work, including the Lay of the Last Minstrel which firmly established Scott’ position in the Scottish literary tradition, and that of English literature as a whole.  Scott was by now printing regularly with the Ballantynes and convinced them to relocate their press to Edinburgh and became a partner in their business.  In 1813 Scott was offered the post of Poet Laureate, but turned the offer down and the position was taken by Robert Southey. Until now he had predominately written poetry however he became interested in the novel form despite its comparative unpopularity for a supposed aesthetic inferiority. Owing to this he published his first novel, Waverley, anonymously, in 1814. Its success encouraged several more novels, all of which were published under “Author of Waverley” as a means of piggybacking the success of Waverley and because Scott feared his traditional father would disapprove of such a trivial pursuit as novel writing. Scott came to be known as the “Wizard of the North” for his writing, and among literary circles it was an open secret that he was the author of these novels. In 1815 the Prince Regent, George, dined with him as he wished to meet the “Author of Waverley”.  By 1825 a banking crisis was crippling the nation and the Ballantyne printing company went under with Scott left with debts of £130,000 (approx. £10mil in 2014).  His pride kept him from accepting financial aid (even from his admirer, King George) or declaring himself bankrupt.  He resolved to continue writing until he could pay his debts. Compounding these unfortunate circumstances was the death of his wife in 1826. However, he maintained his enormous literary output until 1831 by which point his health had begun to fail and he died on September 21st 1832. At his death he was still in debt, the continuing sales of his work ensured that all debt was discharged shortly after he died.

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  The Tell-Tale Heart

  Edgar Allan Poe

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  This audiobook is narrated by an AI Voice. The blue, veiled eye of an old man is an object that drives the main character to madness. Every time he sees it, aggression and a desire to murder arise within him. He decides to commit a crime. 
   
  He carefully plans it, and for a week, every night, he peeks into the adjacent room where the old man lives and observes him silently so as not to wake him up - he keeps repeating that he cannot be considered a madman because in his opinion, no madman would plan a murder with such precision. One night, however, the older man awakens during the visit of the nocturnal guest...

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  Two Tales From Herman Melville -...

  Herman Melville

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  Two Tales From Herman Melville includes "The Lightning-Rod Man" and "The Bell-Tower." After spending the summer of 1853 in the Berkshire Mountains, where he supposedly had a real life encounter with a lightning-rod salesman, Melville published "The Lightning-Rod Man." At the end of this short story, the lightning-rod salesman is exposed for the fraud that he is. However, that will not keep his successors from fanning out to the Middle West, where lightning storms abound and farmers were gullible. On another level, the story can be interpreted as a confrontation between Good and Evil. Through description and diction, the narrator is understood as a follower of God, someone who believes in The Almighty watching over him. On the other hand, the lightning-rod man is seen as a negative character, someone who only has faith in the product he's peddling. "The Bell-Tower," published in 1856, is the story of an eccentric architect named Bannadonna and his quest to build a magnificent bell-tower. As building progresses, local townspeople begin to hear of mysterious occurrences in the tower, leading to a suspenseful conclusion.

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  The Mysterious Card - From their...

  Cleveland Moffett

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  The bookshelves of American literature are incredible collections that have gathered together centuries of very talented authors.  From this continent their fame spread and whilst among their number many are now forgotten or neglected their talents endure.  Among them is Cleveland Moffett.

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  One Autumn Night - From their...

  Maxim Gorky

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  Alexei Maximovich Peshkov was born on 28th March 1868, in Nizhny Novgorod, Russia. 
  Better known as Maxim Gorky he was orphaned at 11 and ran away from home at 12.  At 19 he had already attempted suicide and thereafter travelled, by foot, across the Russian Empire for 5 years. 
  His first book ‘Essays & Stories’ in 1898 was a sensation and so began a long career as an author of short stories, novels and plays.  Gorky saw writing as a moral and political act that would help to change the unjust world around him.  He was an ardent early advocate of the emerging Marxist movement and publicly opposed the Tsarist regime leading several times to his arrest.  
  In 1904 he began his own theatre but the censor banned every play and Gorky was forced to abandon the project. 
  But Gorky was a financially successful author, editor, and playwright and gave monies to political parties as well as for civil rights and social reform.  The brutal shooting of workers, which set in motion the Revolution of 1905, pushed Gorky more decisively toward radical solutions.  
  In 1906 he went to the United States to raise funds for the Bolsheviks. Those experiences including a scandal over travelling with his lover and not his wife deepened his contempt for the ‘bourgeois soul.’ 
  Gorky now moved to Capri in Italy, both for health reasons and to escape the increasingly repressive times in Russia.  
  An amnesty for the 300th anniversary of the Romanov dynasty saw him return to Russia in 1914. His politics remained close to the Bolshevik cause.  But soon, after the 1918 revolution, his essays referred to Lenin as a tyrant for his senseless arrests and repression.  He was soon appealing to the outside world for food aid after the catastrophic crop failure. 
  In October 1921 Gorky returned to Italy, now in Fascist hands, and settled in Sorrento until 1932.  His health worsened with the onset of tuberculosis. 
  He wrote several successful books there but now decided to find an understanding with the communist regime. Stalin invited him home and his return was hailed as a major propaganda victory.  He was decorated with the Order of Lenin, and a province, a park, and various streets re-named in his honour. 
  But he had his faults too.  In 1933, Gorky co-edited a book on the White Sea-Baltic Canal and denied even a single prisoner died during its construction, but thousands had. As well, knowing that some Nazis were homosexual, a phrase was attributed to him that said ‘exterminate all homosexuals and fascism will vanish’.  Although he was himself was quoting another he was decidedly homophobic. 
  With the increase of Stalinist repression in 1935 Gorky was placed under unannounced house arrest. 
  Maxim Gorky died on the 18th June 1936 from pneumonia.  He was 68. 
  Stalin and Molotov were among those who carried Gorky's urn of ashes at his funeral.

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  Ten Thousand Miles of Clouds and...

  Simon Shieh, Zuo Fei, Xiao Yue Shan

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  Ten Thousand Miles of Clouds and Moons gathers sixteen phenomenal
  writers of the Chinese language in their English debut: eight fiction
  writers, six poets, and two essayists. Amongst these dazzling tellings,
  the planets are being pulled closer to the earth; a treasured classical
  fiction holds the secrets of the universe; shameful acts of urban
  ennui are committed over- and underground; a couple navigates the
  phantasmagoric border between life and death; the classrooms of the
  eighties and nineties are fleetingly free.
  Ranging from cityscapes to
  mountain ranges, ancestral lands to parallel worlds, these authors
  exhibit a panoramic vista of contemporary Chinese-language writing
  at its most imaginative and incisive, balancing intellectual power with
  lyrical enchantment to lend insight into a nation oscillating between
  tradition and modernity, apocalyptic visions and pedestrian loves,
  provocation and nostalgia, reality and dreamscapes.

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