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The Greatest Gothic Classics (Annotated) - Enriched Edition Frankenstein The Castle of Otranto St Irvyne The Tell-Tale Heart The Phantom Ship The Beetle… - cover

The Greatest Gothic Classics (Annotated) - Enriched Edition Frankenstein The Castle of Otranto St Irvyne The Tell-Tale Heart The Phantom Ship The Beetle…

Charles Dickens, Oscar Wilde, Robert Louis Stevenson, Edgar Allan Poe, William Hope Hodgson, Joseph Sheridan Le Fanu, Anna Katharine Green, George MacDonald, Bram Stoker, Charlotte Brontë, Emily Brontë, William Godwin, Henry James, Victor Hugo, Théophile Gautier, Arthur Conan Doyle, Jane Austen, John Meade Falkner, Guy de Maupassant, George Eliot, Robert Hugh Benson, Horace Walpole, Frederick Marryat, Thomas Love Peacock, Washington Irving, Nathaniel Hawthorne, Gaston Leroux, Grant Allen, Arthur Machen, Wilkie Collins, Thomas Peckett Prest, James Malcolm Rymer, Charles Brockden Brown, James Hogg, Charlotte Perkins Gilman, Richard Marsh, Charles Robert Maturin, John William Polidori, H. G. Wells, W. W. Jacobs, William Thomas Beckford, Nikolai Gogol, Mary Shelley, Ann Radcliffe, Matthew Gregory Lewis, Eliza Parsons

Translator C. J. Hogarth, Samuel Henley, Isabel F. Hapgood

Publisher: e-artnow

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Summary

The Greatest Gothic Classics gathers the central imaginative currents of Gothic literature: haunted inheritance, transgressive desire, supernatural terror, psychological doubling, and the instability of reason itself. Spanning castles, crypts, laboratories, asylums, fog-bound streets, and uncanny domestic interiors, the volume traces the form from eighteenth-century romance to Victorian sensation, fin-de-siècle decadence, detective mystery, and early speculative fiction. Its range includes terror, satire, melodrama, ghost story, vampire tale, and metaphysical fable. The contributing writers collectively define the Gothic tradition across Britain, Ireland, France, Russia, and America. Their works emerge from and respond to Romanticism, the rise of the novel, imperial anxiety, religious doubt, gender politics, urban modernity, and the developing sciences of mind and body. Canonical figures appear beside influential popular authors, revealing Gothic writing not as a narrow genre but as a transnational conversation about fear, power, memory, and the hidden pressures beneath civilized life. This anthology is ideal for readers seeking both literary pleasure and historical breadth. In a single volume, it offers a rare opportunity to encounter multiple Gothic modes, from atmospheric suspense to philosophical horror. Students, scholars, and general readers alike will find it an illuminating guide to the genre's enduring capacity to disturb, enchant, and provoke interpretation.

This enriched edition has been carefully crafted to add value to your reading experience.
- An Introduction draws the threads together, discussing why these diverse authors and texts belong in one collection.
- Historical Context explores the cultural and intellectual currents that shaped these works, offering insight into the shared (or contrasting) eras that influenced each writer.
- A combined Synopsis (Selection) briefly outlines the key plots or arguments of the included pieces, helping readers grasp the anthology's overall scope without giving away essential twists.
- A collective Analysis highlights common themes, stylistic variations, and significant crossovers in tone and technique, tying together writers from different backgrounds.
- Reflection questions encourage readers to compare the different voices and perspectives within the collection, fostering a richer understanding of the overarching conversation.
Available since: 12/21/2023.
Print length: 10773 pages.

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