Other books that might interest you

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  Marked for Death aka Murder...

  Terry Gould

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  Organizations such as the Committee to Protect Journalists and Reporters sans frontières bring us the death toll from around the world, and that number is truly daunting: since 1992 more than 730 journalists have been killed-nearly three-quarters of them targeted and murdered. Over 85% of the fallen have been local journalists trying to unveil violence and corruption in their own back yards. Worse, 95% of the people who ordered their murder remain unpunished. 
  Who are these journalists who have sacrificed literally everything for the story? Where did they find their courage? Investigative reporter Terry Gould traveled to the five most dangerous countries in which to be a journalist-Iraq, the Philippines, Russia, Colombia and Bangladesh. This audiobook presents Gould’s unforgettable portraits of seven murdered journalists who carried on despite death threats from terrorists, corrupt politicians, gangsters and paramilitary leaders. 
  Gould brings us the lovers, the colleagues, the rivals, the critics and even the accused murderers of these courageous men and women, searching for the moment when each of his protagonists understood that they were willing to die in order to get a story out. He finds intriguing and complex reasons for such bravery. Their stories show how selflessly humans can love justice and their fellow citizens; how dogged and resourceful people can be in attempts to thwart injustice; how vital it is to show the defeated and the indifferent, as well as the powerful, and that there really are some things worth dying for. 
  All of Gould’s subjects, no matter how fallible or flawed, “went to work each morning with the conviction that the calling of journalism was to defend the defenseless.” Gould honors their memories by “bringing their lives and the stories they worked on to light, telling truth to those who would murder truth-tellers.” 
  Published by Post Hypnotic Press Inc. Distrubited by Big Happy Family LLC.

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  Franz Kafka: The Life and Legacy...

  Charles River Editors

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  Franz Kafka was among the most unique authors in the early 20th century, and as a Jewish German-language writer, he proved to be an ideal conduit for his era’s deepest anxieties. Already emotionally damaged, he was physically weak as well, unable to confront society on any level. His sense of intimidation at the hands of his family reached deeply pathological proportions, and he suffered further from a simultaneous, desperate mix of embrace and revulsion with the Jewish faith. Retreating into familiar representations of his time, Kafka created a series of nightmarish short stories and novels, in which someone much like him played the central role. Settings tended to be a mixture of landmarks, and rather than being based on real events from his life, Kafka’s stories are more linked to the habits of his own inner demons and exterior relationships. 
  Kafka’s work was unprecedented in its day, but terms commonly used to describe his work today include “absurdist” and “visionary fiction.” The former is at times perceived by modern readers as whimsical, but more correctly applies to locales and situations that could not possibly exist or take place. In the latter, Kafka hangs the presiding issues of the piece on fictitious human and natural riddles that exacerbate the victimhood of central characters. These artificial dilemmas stand as the unsolvable barriers that lace each narrative. 
  	Nearly a century after his death, Kafka is considered one of the greatest writers of the 20th century, despite being a virtual unknown throughout his life. In fact, Kafka never intended for his unpublished work to be released posthumously, but his wishes were ignored, and it was certainly to the world’s benefit. Kafka’s work is so profound and unique that the term “Kafkaesque” is now a part of the English language, a reference to surreal distortions and amazing complexities.

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  Writers in America - The Four...

  Budd Schulberg

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  Stories of twentieth-century American literary giants, by the man who was their friend, peer, and confidant When he was introduced to F. Scott Fitzgerald as a potential partner on a screenplay, novelist and scriptwriter Budd Schulberg was surprised the author was still alive. In Schulberg’s view, the pressures of success and the public’s merciless judgment had destroyed Fitzgerald’s talent early in his career—a situation that is arguably typical for many of America’s great literary geniuses. In Writers in America, Schulberg shares memories and insights from his relationships with authors such as Fitzgerald, John Steinbeck, Nathaneal West, and Sinclair Lewis, as well as brilliant writers who never attained the success and recognition they deserved, such as Thomas Heggen. This ebook features an illustrated biography of Budd Schulberg including rare images and never-before-seen documents from the author’s estate.

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  The Communist Manifesto

  Karl Marx, Friedrich Engels

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  The Communist Manifesto was conceived as an outline of the basic beliefs of the Communist movement. The authors believed that the European Powers were universally afraid of the nascent movement, and were condemning as "communist," people or activities that did not actually conform to what the Communists believed. This Manifesto, then, became a manual for their beliefs. 
  In it we find Marx and Engel's rehearsal of the idea that Capital has stolen away the work of the artisan and peasant by building up factories to produce goods cheaply. The efficiency of Capital depends, then, on the wage laborers who staff the factories and how little they will accept in order to have work. This concentrates power and money in a Bourgeois class that profits from the disunity of workers (Proletarians), who only receive a subsistence wage. 
  If workers unite in a class struggle against the bourgeois, using riot and strikes as weapons, they will eventually overthrow the bourgeois and replace them as a ruling class. Communists further believe in and lay out a system of reforms to transform into a classless, stateless society, thus distinguishing themselves from various flavors of Socialism, which would be content to have workers remain the ruling class after the revolution. 
  The Manifesto caused a huge amount of discussion for its support for a forcible overthrow of the existing politics and society.

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  How to Murder Your Wealthy...

  Jane Simon Ammeson

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  “Minnie Wallace Walkup Ketcham’s criminal career as an unsung triple murderess and black widow . . . is told in rich detail and with pleasingly dark wit.” —Keven McQueen, author of Louisville Murder & Mayhem 
   
  What’s a gal to do when her loaded lover is getting to be a nuisance? Why, just murder him and take all his money, of course. If you want to be fabulously single with tons of cash, just follow the lead of the beautiful and conniving Minnie Wallace Walkup Ketcham, who left a trail of broken hearts, empty wallets, and corpses. 
   
  Minnie was just 16 when she stood trial in 1885 for the wrongful death of her first husband, a successful businessman and politician almost 40 years her senior. Despite overwhelming witness testimony that the Creole beauty from New Orleans had purchased the arsenic that killed him, Minnie’s own testimony brought the entire courtroom to tears. She was acquitted. Minnie returned to New Orleans with James Walkup’s fortune, life insurance, Civil War pension, and all the expensive clothes she had shipped home before he even died. 
   
  Minnie still didn’t have enough cash for her liking, so she successfully targeted, seduced, and murdered two more wealthy older men while evading justice in the courtroom (and escaping her lawyer’s fees, too). How to Murder Your Wealthy Lovers and Get Away With It is an extraordinary and off-the-wall true story of intrigue, scandal, and murder. 
   
  “Compelling and entertaining . . . A great guide to one of America’s most thrilling true stories.” —Mike Flannery, political editor, FOX 32 News Chicago 
   
  “This gossipy true crime account paints a comprehensive portrait of a woman shrouded in mystery.” —Publishers Weekly

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  Springfield Confidential - Jokes...

  Mike Reiss, Mathew Klickstein

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  In celebration of The Simpsons thirtieth anniversary, the show's longest-serving writer and producer offers a humorous look at the writing and making of the legendary Fox series that has become one of the most revered artistic achievements in television history. 
  Four-time Emmy winner Mike Reiss—who has worked on The Simpsons continuously since episode one in 1989—shares stories, scandals, and gossip about working with America's most iconic cartoon family ever. Reiss explains how the episodes are created, and provides an inside look at the show's writers, animators, actors and celebrity guests. He answers a range of questions from Simpsons fans and die-hards, and reminisces about the making of perennially favorite episodes. 
  In his freewheeling, irreverent comic style, Reiss reflects on his lifetime inside The Simpsons—a personal highlights reel of his achievements, observations, and favorite stories. Springfield Confidential exposes why Matt Groening decided to make all of the characters yellow; dishes on what it's like to be crammed in a room full of funny writers sixty hours a week; and tells what Reiss learned after traveling to seventy-one countries where The Simpsons is watched (ironic note: there's no electricity in many of these places); and even reveals where Springfield is located! He features unique interviews with Judd Apatow, who also provided the foreword, and Conan O'Brien, as well as with Simpsons legends Al Jean, Nancy Cartwright, Dan Castellaneta, and more. 
  Like Cary Elwes' As You Wish, Jennifer Keishin Armstrong's Seinfeldia, and Chris Smith's The Daily Show: An Oral History, Springfield Confidential is a funny, informational, and exclusive look at one of the most beloved programs in all of television land.

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