Reading without limits, the perfect plan for #stayhome
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Read online the first chapters of this book!
All characters reduced
Introducing Joyce - A Graphic Guide - cover

Introducing Joyce - A Graphic Guide

David Norris

Publisher: Icon Books

  • 1
  • 0
  • 0

Summary

James Joyce is one of the most famous--and controversial--writers of the twentieth century. The myth of his difficulty has discouraged many readers from works such as "Ulysses," but David Norris explores his life and work in this engaging and intellectually rigorous introduction.

Other books that might interest you

  • Barracoon - The Story of the Last "Black Cargo" - cover

    Barracoon - The Story of the...

    Zora Neale Hurston

    • 1
    • 1
    • 0
    New York Times Bestseller •  TIME Magazine’s Best Nonfiction Book of 2018 • New York Public Library’s Best Book of 2018 • NPR’s Book Concierge Best Book of 2018 • Economist Book of the Year • SELF.com’s Best Books of 2018 • Audible’s Best of the Year • BookRiot’s Best Audio Books of 2018 • The Atlantic’s Books Briefing: History, Reconsidered • Atlanta Journal Constitution, Best Southern Books 2018  • The Christian Science Monitor’s Best Books 2018 •  
     
     
    “A profound impact on Hurston’s literary legacy.”—New York Times 
    “One of the greatest writers of our time.”—Toni Morrison 
    “Zora Neale Hurston’s genius has once again produced a Maestrapiece.”—Alice Walker 
    A major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker, brilliantly illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade—abducted from Africa on the last "Black Cargo" ship to arrive in the United States. 
    In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States. 
    In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past—memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War. 
    Based on those interviews, featuring Cudjo’s unique vernacular, and written from Hurston’s perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.
    Show book
  • Jung on Christianity - cover

    Jung on Christianity

    C. G. Jung

    • 0
    • 2
    • 0
    C. G. Jung, son of a Swiss Reformed pastor, used his Christian background throughout his career to illuminate the psychological roots of all religions. Jung believed religion was a profound, psychological response to the unknown--both the inner self and the outer worlds--and he understood Christianity to be a profound meditation on the meaning of the life of Jesus of Nazareth within the context of Hebrew spirituality and the Biblical worldview. 
     Murray Stein's introduction relates Jung's personal relationship with Christianity to his psychological views on religion in general, his hermeneutic of religious thought, and his therapeutic attitude toward Christianity. This volume includes extensive selections from Psychological Approach to the Dogma of the Trinity," "Christ as a Symbol of the Self," from Aion, "Answer to Job," letters to Father Vincent White from Letters, and many more.
    Show book
  • On Psychological and Visionary Art - Notes from C G Jung’s Lecture on Gérard de Nerval's Aurélia - cover

    On Psychological and Visionary...

    C. G. Jung

    • 0
    • 2
    • 0
    In 1945, at the end of the Second World War and after a long illness, C. G. Jung delivered a lecture in Zürich on the French Romantic poet Gérard de Nerval. The lecture focused on Nerval's visionary memoir, Aurélia, which the poet wrote in an ambivalent attempt to emerge from madness. Published here for the first time, Jung’s lecture is both a cautionary psychological tale and a validation of Nerval’s visionary experience as a genuine encounter. 
    Nerval explored the irrational with lucidity and exquisite craft. He privileged the subjective imagination as a way of fathoming the divine to reconnect with what the Romantics called the life principle. During the years of his greatest creativity, he suffered from madness and was institutionalized eight times. Contrasting an orthodox psychoanalytic interpretation with his own synthetic approach to the unconscious, Jung explains why Nerval was unable to make use of his visionary experiences in his own life. At the same time, Jung emphasizes the validity of Nerval’s visions, differentiating the psychology of a work of art from the psychology of the artist. The lecture suggests how Jung’s own experiments with active imagination influenced his reading of Nerval’s Aurélia as a parallel text to his own Red Book. 
    With Craig Stephenson’s authoritative introduction, Richard Sieburth’s award-winning translation of Aurélia, and Alfred Kubin’s haunting illustrations to the text, and featuring Jung’s reading marginalia, preliminary notes, and revisions to a 1942 lecture, On Psychological and Visionary Art documents the stages of Jung’s creative process as he responds to an essential Romantic text.
    Show book
  • Jung on Active Imagination - cover

    Jung on Active Imagination

    C. G. Jung

    • 0
    • 1
    • 0
    All the creative art psychotherapies (art, dance, music, drama, poetry) can trace their roots to C. G. Jung's early work on active imagination. Joan Chodorow here offers a collection of Jung's writings on active imagination, gathered together for the first time. Jung developed this concept between the years 1913 and 1916, following his break with Freud. During this time, he was disoriented and experienced intense inner turmoil --he suffered from lethargy and fears, and his moods threatened to overwhelm him. Jung searched for a method to heal himself from within, and finally decided to engage with the impulses and images of his unconscious. It was through the rediscovery of the symbolic play of his childhood that Jung was able to reconnect with his creative spirit. In a 1925 seminar and again in his memoirs, he tells the remarkable story of his experiments during this time that led to his self-healing. Jung learned to develop an ongoing relationship with his lively creative spirit through the power of imagination and fantasies. He termed this therapeutic method "active imagination." 
     This method is based on the natural healing function of the imagination, and its many expressions. Chodorow clearly presents the texts, and sets them in the proper context. She also interweaves her discussion of Jung's writings and ideas with contributions from Jungian authors and artists.
    Show book
  • Killing Beauties - cover

    Killing Beauties

    Pete Langman

    • 0
    • 7
    • 0
    In a world made for men, Susan Hyde is no ordinary woman.And no one would suspect that the sister of Edward Hyde, chief advisor to King in exile Charles Stuart, spends her time peddling state secrets and fomenting rebellion rather than on her tapestry.As a she-intelligencer – female spy – Susan’s mission is to extract information from Oliver Cromwell’s unsuspecting spymaster, by any means necessary.In a shadow-world of ciphers, surveillance, poison, seduction and duplicity, this daring spy will risk everything for king and country. Based on the astonishing true story of England’s earliest female spies, Killing Beauties will transport you to a seventeenth-century London rife with political intrigue, betrayal and conspiracy.
    Show book
  • The Russian Countess - cover

    The Russian Countess

    Edith Sollohub

    • 0
    • 1
    • 0
    Separated from her three young sons, stripped of her possessions and fearing for her life, Countess Edith Sollohub found herself trapped in revolutionary Russia. The daughter of a high-ranking diplomat, Edith was destined to join the social and intellectual elite of Imperial Russia. As a child she spent the summers learning to ride and shoot on the family's country estate; during the winter months her parents hosted lavish parties in their luxurious St Petersburg Apartment. This privileged upbringing would ultimately help her survive the traumatic events of the 1917 revolution. This is Edith's personal account of her escape from Russia in which she assumed new identities as a Polish refugee, a travelling musician and even a Red Army nurse. She would endure hunger, imprisonment and loneliness in the quest to be reunited with her family.
    Show book