Publisher: FilRougeViceversa
"IN the midway of this our mortal life,I found me in a gloomy wood, astrayGone from the path direct: and e'en to tellIt were no easy task, how savage wildThat forest, how robust and rough its growth,Which to remember only, my dismay...
Night. The day has gone. Departed. And the dark embrace, the inky shadows of night descend. For many a time to unwind and slumber. For some a nagging doubt that all is not well. That some primeval and primordial happening may yet go bump in the night. But for our poets the night is a time of wonder and imagination as well as many other emotions and feelings. Among our ranks of gloried talents are Keats, Coleridge, William Morris, DH Lawrence, Whitman, Longfellow and many more besides. Their descriptions capture what they see and feel as perhaps only a poet can. Among our ranks of gloried talents are Thomas Hood, Gerard Manley Hopkins, Robert Louis Stevenson, John Clare, Herman Melville and many more besides. Their descriptions capture what they see and feel as perhaps only a poet can. This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing. Our range is large and growing and covers single poets, themes, and many compilations.Show book
A dark fable of the emotionally stultifying effects of small-town life, from the author of Disco Pigs and The Walworth Farce. Edinburgh Fringe First Award 2008 Three sisters in a remote fishing village, trapped in the years that have passed since their halcyon days at The New Electric Ballroom, are still obsessed by darker memories of something resembling romance. 'a beautiful and devastating play of broken hearts and maimed lives... Walsh confirms himself as one of the most dazzling wordsmiths of contemporary theatre, and one who has a direct conduit to our wanting hearts' - Guardian 'shatteringly fine theatre' - ScotsmanShow book
Hungry for power and angered by their king, the nobles of Henry VI's court plot and scheme against each other. As Henry wavers and the factions split, Queen Margaret is determined to hold on to power and protect the crown that will one day belong to her son. Using Shakespeare's original lines, alongside new text, Jeanie O'Hare retells the Wars of the Roses through the eyes of the Queen. A captivating exploration of an iconic moment in British history, the play premiered at the Royal Exchange, Manchester, in September 2018, directed by Elizabeth Freestone and featuring Jade Anouka as Margaret of Anjou. 'This lady excelled all others, as well in beauty and favour, as in wit and policy, and was of stomach more like a man than a woman' - Holinshed's Chronicles, 1577Show book
In this interview Vecchione, writer and teacher of poetry, shares stories and poems of immigrant children and of the healing properties of poetry. One cannot help but share the sadness of a young person losing touch with their home culture. You’ll be inspired to make a difference in your community to include this large and mostly unheard population.Show book
Gerard Manley Hopkins was born in Stratford, then part of Essex on 28th July, 1844, to deeply religious parents?the first of nine children. The family moved to Hampstead in 1852, near to where John Keats had lived thirty years before. At age ten the young Gerard was sent to school in nearby Highgate and afterwards to Balliol College, Oxford. Hopkins was unusually shy and reserved and prone to bizarre ideas. He once argued that most people drank more liquids than they really needed and bet that he could go without drinking for a week. He persisted until his tongue was black and he collapsed. In January 1866 Hopkins composed his most ascetic poem, The Habit of Perfection but a few days later he included poetry in the list of things to be given up for Lent. In July he decided to become a Catholic and by May 1868 Hopkins firmly "resolved to be religious." Less than a week later, he made a bonfire of his poems and ceased to write for almost seven years. In 1874 Hopkins returned to the Society of Jesus at Manresa House, Roehampton to teach classics. While he was studying in the Jesuit house of theological studies in North Wales, he was asked to write a poem to commemorate the foundering of a German ship in a storm. So in 1875 he was moved to take up poetry once more and write a lengthy poem, The Wreck of the Deutschland, inspired by the Deutschland maritime disaster in which 157 people died, including five nuns. The poem was accepted but not printed by a Jesuit publication. This rejection fed his ambivalence about his poetry. Most of his poetry remained unpublished until after his death. Hopkins chose the austere and restrictive life of a Jesuit and was at times gloomy. The brilliant student who had left Oxford with a first-class honours degree failed his final theology exam and although ordained in 1877, Hopkins would not progress in the order. That same year he wrote God’s Grandeur, and sonnets including The Starlight Night and finished The Windhover. In 1884 he became professor of Greek and Latin at University College Dublin. His English roots, his disagreement with current Irish politics, as well as his own small stature (5'2"), shy nature and personal foibles meant that he was not an effective teacher. This and his isolation in Ireland deepened his gloom. The final years of his life continued to find him in a depressed state and to restrict his poetic inspiration. His extremely heavy work load coupled with the dislike of living in Dublin, away from England and friends meant his health further deteriorated, even his eyesight began to fail. As a devout Jesuit, he found himself in an artistic dilemma. To subdue any egotism which would violate the humility required by his religious position, he decided never to publish his poems. After suffering several bouts of diarrhoea, Gerard Manley Hopkins died of typhoid fever on 8th June, 1889 at the early age of 44. On his death bed, his last words were, "I am so happy, I am so happy. I loved my life." This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing. Our range is large and growing and covers single poets, themes, and many compilations.Show book
The third edition of this volume includes newly revised, authoritative and compelling translations of four timeless works by the Ancient Greek tragedian. Aeschylus I contains “The Persians,” translated by Seth Benardete; “The Seven Against Thebes,” translated by David Grene; “The Suppliant Maidens,” translated by Seth Benardete; and “Prometheus Bound,” translated by David Grene. For this edition, Mark Griffith and Glenn W. Most have carefully updated these translations to bring them even closer to the ancient Greek while retaining the vibrancy for which the renowned University of Chicago Press series is famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. The entire series has also been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written.Show book
