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  Damon Runyon Theater - Dancing...

  Damon Runyon

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  The Damon Runyon Theatre Hour.  Damon Runyon is acknowledged as one of the great writers to come out of twentieth century America.  Runyon's short stories are almost always told in the first person by a narrator who is never named, and whose role is unclear; he knows many gangsters and has no job that can be gleaned from his musings, nor does he admit to any criminal involvement; He’s a bystander, an observer, an average street-corner Joe.  Runyon described himself as "being known to one and all as a guy who is just around".  That line seems to say a lot about Runyon and his life.  It was like you were with him on some street corner hustle or some shady dive and he was filling you in on all the angles, all the gossip, all of life. He was who so many people wanted to be with……or so many people wanted to be.  Of course, the cliché about newspapermen and writers is that they are heavy drinkers, chain-smokers, gamblers and obsessively chase women with a sideline in the gathering of stories and facts and actually getting something written just before the deadline hits. That seems like Damon Runyon and his life summed up in one sentence.  His stories became legendary ways of looking that bit differently at America, of soaking up the atmosphere of a glamorous and rip-roaring age and distilling it into a black and white type or, in our case, The Damon Runyon Theatre Hour.

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  After Long Grief

  Madison Cawein

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  LibriVox volunteers bring you 20 recordings of After Long Grief by Madison Cawein. This was the Weekly Poetry project for July 22, 2012.Madison Cawein was a poet from Louisville, Kentucky. His father made patent medicines from herbs. Cawein thus became acquainted with and developed a love for local nature as a child. His output was thirty-six books and 1,500 poems.  His writing presented Kentucky scenes in a language echoing Percy Bysshe Shelley and John Keats. He soon earned the nickname the "Keats of Kentucky". (Summary from Wikipedia )

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  Real and Phantom Pains - An...

  John Freedman

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  An anthology of ten plays embodying the Russian literary movement that began in the late twentieth century. The plays selected for this anthology reflect the issues and styles typical of the new wave of dramatic writing in Russia. New drama flourished (almost) exclusively in small spaces, often in dingy basements that employed and accommodated small numbers of people. The big theaters largely turned a blind eye to what was happening on small stages and in backrooms in playhouses, libraries, and community centers in a few chosen hot spots around Russia: primarily Moscow, Yekaterinburg and Togliatti. In many cases, they took actively hostile stances toward it. This would change, however. And by the beginning of the century’s second decade, new drama was threatening to become a mainstream phenomenon. Not every theater staged plays associated with new drama, but almost every one began staging plays influenced by the themes, methods, and language of the new drama movement. Featuring work from Yury Klavdiev, Olga Mukhina, Pavel Pryazhko, Vasily Sigarev, Maksym Kurochkin, Mikhail Durnenkov, Vyacheslav Durnenkov, Yaroslava Pulinovich, Yelena Gremina, and Maxim Osipov.“Few people know more about what is happening on the Moscow scene than John Freedman (including few Russians). As Moscow Times theater critic throughout the post-Soviet period John could well have seen more theatrical productions in Russia than anyone else. I can’t imagine anyone who would do a better job.” —Blair A. Ruble, Director, Program on Global Sustainability & Resilience, Woodrow Wilson Center“While other existing volumes focus on 18th, 19th, and early 20th century Russian drama, Freedman’s edition would present the unique and important contributions of the new generation of Russian writers portraying the realities and experiences of a post-Soviet generation. John has carefully selected a representative cohort of ten of the most visible, productive, and influential of these writers for the volume.” —Thomas J. Garza, University Distinguished Teaching Associate Professor, University of Texas at Austin

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  Moth Terror

  Benjamin de Casseres

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  LibriVox volunteers bring you 17 recordings of Moth Terror by Benjamin De Casseres . This was the Fortnightly Poetry project for February 13, 2011.Benjamin De Casseres was an American journalist and author. He worked for various New York City newspapers writing columns and editorials. He also wrote poetry, fiction, essays, and critical reviews. (wikipedia) This poem taken from The Second Book of Modern Verse: A Selection from the Work of Contemporaneous American Poets, edited by Jessie B. Rittenhouse. (1869 - 1948)

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  Deirdre Kinahan: Shorts (NHB...

  Deirdre Kinahan

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  'The short play – very traditional to Irish theatre – is a little jewel of a structure, a lightning flash on a different world, the illumination made all the more acute by brevity' Deirdre Kinahan
  Deirdre Kinahan is an award-winning playwright and member of Aosdána, Ireland's elected organisation of outstanding artists. This volume brings together five of her short plays, taken from the full span of her writing career, each of them shining a light into a forgotten corner of our humanity, giving voice to irrepressible characters that the world has done its best to overlook.
  In Bé Carna (Tall Tales, 1999), five women reflect on their lives as prostitutes on the streets of Dublin, a dark tale inspired by true-life stories, reverberating with humanity, warmth and comic humour.
  In Hue & Cry (Tall Tales/Bewley's Café Theatre, 2007), two Dublin cousins, Damian and Kevin, are reunited for a family funeral in a highly charged encounter full of disillusion, denial and dark laughter.
  In Bogboy (Tall Tales/Solstice Arts Centre, 2010), originally written as a radio play for RTÉ, two lost souls – a young heroin addict and a reclusive middle-aged farmer – discover a budding friendship in the bogs of Meath, until a terrible secret comes to light.
  Wild Notes (Solas Nua, Washington D.C., 2018) explores the impact of colonialism through a meeting between Frederick Douglass, the escaped slave and abolitionist who visited Ireland in the 1840s, and a young Irishwoman hoping to emigrate to the country he's running from.
  An Old Song, Half Forgotten (Abbey Theatre, 2023) opens a window into the life and soul of an older actor who is living in care with Alzheimer's disease, rebuilding a man just as he begins to crack and fade.

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  Hush'd Be the Camps Today

  Walt Whitman

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  LibriVox readers bring you  16 readings of Hush'd Be the Camps Today by Walt Whitman, in honor of the 150th anniversary of Abraham Lincoln's death on April 15, 1865. This was the weekly poem for April 12, 2015, to April 18, 2015. - Summary by Adele de Pignerolles

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