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  Freeman's: Family

  John Freeman

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  A diverse anthology of new fiction, essays, poetry, and photography exploring the subject of family from this “illustrious new literary journal” (Vogue.com). 
   
  Following his acclaimed debut issue of collected writing on the theme of “Arrival,” the renowned editor and critic John Freeman circles a topic of constantly shifting definitions and endless fascination for writers: family. 
   
  In an essay called “Crossroads,” Aminatta Forna muses on the legacy of slavery as she settles her family in Washington, DC—a place where she is routinely accused of cutting in line when she stands next to her white husband. Award-winning novelist Claire Vaye Watkins delivers a stunning portrait of a woman in the throes of postpartum depression. Booker Prize winner Marlon James takes the focus off absent fathers to write about his mother, who calls to sing him happy birthday every year. Novelist Claire Messud’s writes of the two four-legged tyrants in her home; Sandra Cisneros muses about her extended family of past lovers; and Aleksandar Hemon tells the story of his uncle’s desperate attempt to remain a communist despite decades in the Soviet gulag. 
   
  With outstanding, never-before-published pieces of fiction, nonfiction, and poetry from literary heavyweights and up-and-coming writers alike, Freeman’s: Family collects the most amusing, heartbreaking, and probing stories about family life emerging today.

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  Inner Sanctum Mystery: The Girl...

  Himan Brown

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  A strange woman who foretells the future and can't be killed foretells a hanging death for a beautiful girl. The door was open and Karen Marley walked in to the strangest apartment she’d ever seen. A sweet sickening odour overwhelmed her as she looked around. It was rare incense burning in a hollow skull stood on the mantelpiece. She looked closely; the skull was human. She felt someone’s eyes upon her, staring watching every move she made…

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  Mother Nature (Dickinson)

  Emily Dickinson

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  LibriVox volunteers bring you 8 recordings of Mother Nature by Emily Dickinson. This was the Fortnightly Poetry project for June 3, 2013While Emily Dickinson was a prolific private poet, fewer than a dozen of her nearly eighteen hundred poems were published during her lifetime. The work that was published during her lifetime was usually altered significantly by the publishers to fit the conventional poetic rules of the time. Dickinson's poems are unique for the era in which she wrote; they contain short lines, typically lack titles, and often use slant rhyme as well as unconventional capitalization and punctuation. Many of her poems deal with themes of death and immortality, two recurring topics in letters to her friends.Mother Nature is a wonderful poem by Dickinson about nature. (Summary by SarahParshall and Wikipedia)

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  Landscape of the Body - A Play

  John Guare

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  Death, desire, and tabloid sensationalism converge in “this delirious heartbreaker of a comedy” by the Tony Award-winning playwright (Ben Brantley, The New York Times). 
   
  Along with Six Degrees of Separation and The House of Blue Leaves, Landscape of the Body is one of John Guare’s most celebrated plays. It tells the story of a woman’s unfulfilled life and premature death—and her reflections from the grave.  
   
  Betty Yearn first came to New York City to convince her sister Rosalie to leave the gritty urban world behind and come home to bucolic Maine. But when Rosalie dies in a freak bicycle accident, Betty returns to ease into her sister’s previous persona—moving into her apartment, even taking over her job—as Rosalie watches from the beyond. Then Betty’s fortunes take a jarring turn. After losing her teenage son to murder, she finds herself the primary suspect in the crime. After all, death does seem to have a way of following in her trail.  
   
  In what Michael Kuchwara of the Associated Press called “his most surreal and haunting play,” John Guare brilliantly moves back and forth in time and space to create an affecting study of the American dream gone awry.

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  Harmonics

  William Vaughn Moody

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  William Vaughn Moody was an American dramatist and poet. Author of The Great Divide, first presented under the title of The Sabine Woman at the Garrick Theatre in Chicago on April 12, 1906. Moody's poetic dramas included The Masque of Judgment (1900), The Fire Bringer (1904), and The Death of Eve (left undone at his death). He taught English at Harvard and Radcliffe until 1895, when he went to Chicago where he was an instructor at the University of Chicago, and from 1901 to 1907 assistant professor of English and rhetoric. - Summary by Wikipedia

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  Ode An

  Edward Granville Browne

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  LibriVox volunteers bring you 13 recordings of An Ode by Táhirih (Fátimih Baraghání) (1814/1817 – 1852), Translated by Edward Granville Browne (1862 – 1926). This was the Fortnightly Poetry project for February 7th, 2010.Fátimih Baraghání (1814/1817 – 1852), also known by the titles of Táhirih (Arabic for “The Pure One”) and Qurratu’l-‘Ayn (Arabic for “Consolation of the Eyes”) was an influential Iranian poet and Bábí heroine from the town of Qazvín. Her legacy is important to Bahá’ís, as well as supporters of women’s rights in Iran. In 1844, she became the seventeenth disciple or “Letter of the Living” of the Báb (1819-1850). As the only woman in this initial group of disciples, she is often compared to Mary Magdalene. From June-July 1848, she attended the Conference of Badasht where she appeared without a veil in public (a shocking statement of women’s rights) and declared that a new religious dispensation had been inaugurated. Coincidentally, shortly after this, the Seneca Falls Convention (an important women’s rights convention) was held in New York on the 19th-20th of July, 1848. She was executed in Tehran in 1852. Before her death, she said that although she would be killed, they could not stop the emancipation of women. Edward Granville Browne described her thus: “The appearance of such a woman as Qurratu’l-‘Ayn is in any country and any age a rare phenomenon, but in such a country as Persia it is a prodigy—nay, almost a miracle. Alike in virtue of her marvellous beauty, her rare intellectual gifts, her fervid eloquence her fearless devotion, and her glorious martyrdom, she stands forth incomparable and immortal amidst her countrywomen.” This poem is a ghazal composed in the Kámil metre. A ghazal may be understood as a poetic expression of both the pain of loss or separation and the beauty of love in spite of that pain. Browne notes that this poem appears to be addressed to the Báb. Browne made a versified translation of the poem, which first appeared in the J.R.A.S. in 1899. (Summary by Nicholas James Bridgewater)

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