Emma Maria Rossini appears to be the luckiest girl in the world. She’s the daughter of a beautiful and loving mother and her father is one of the most famous film actors of his generation. Tom Cruise is almost an adopted uncle.
She’s also the granddaughter of a rather eccentric and obscure Italian astrophysicist whose theories on the universe have been much ridiculed.
The story centres on Emma’s childhood in Edinburgh and East Lothian, and the overpowering event of her mother’s death, apparently in a freak lighting strike.
However, the secret that only Emma knows is that her mother’s death was no accident. It precipitates a suicide attempt, and estrangement from her father.
Emma stumbles through university and finds work as a journalist in Edinburgh, although she is once more becoming mentally unstable and, following the death of her father, again tries to commit suicide.
It’s while she’s in a mental institution that her psychiatrist suggests she writes a memoir of her life, to help her make sense of everything that’s happened to her, and The Space Between Time is the story she writes.
The tragic-comic story, aimed at both male and female readers, has heart, humour and warmth. Its central message is that, even at the worst of times, a second chance can often be just around the corner.
In coming to terms with her life and the deaths of her parents, Emma finds ultimate solace in her once-derided grandfather’s Theorem on the universe – which offers the metaphor that we are all connected, even to those we have loved and not quite lost.
"An eccentric outsider is baffled by contemporary Manhattan in this engrossing second novel" by Adam Pelzman. —Kirkus Reviews
Bobby Walser’s tragic childhood has left him a man frozen in time and mired in a world of his own making—one that has little in common with reality. Genteel and old-fashioned, his manners and habits are more suited to an aristocrat from a Chekhov play than to a young man on Manhattan’s Upper West Side.
Haunted by his failure to live up to the legacy of his great father, Walser’s sense of ineffectuality is compounded when he suffers a series of deflating professional setbacks. He’s baffled by the people around him, and his only solace is the hope of a romance—conducted via handwritten letters—with a mysterious woman who may not even exist.
As his despair with twenty-first century life reaches a breaking point, Walser bristles at a newly constructed sculpture that represents everything he loathes about these times. Realizing that he has more to care about—and fight for—outside himself, he marches toward a final showdown with this towering symbol of oppressive technology.
"This is another entrancing, deeply memorable offering from Pelzman … Devilishly sharp social commentary." —Kirkus Reviews
Prince Myshkin having spent some time in Switzerland recovering from his illness is now returning to Russia. He is the central character of the novel, a young man whose goodness, open-hearted simplicity and guilelessness lead many of the more worldly characters he encounters to mistakenly assume that he lacks intelligence and insight. In the character of Prince Myshkin, Dostoevsky set himself the task of depicting the positively good and beautiful man and consequences of placing such a unique individual at the centre of the conflicts, desires, passions and egoism of worldly society, both for the man himself and for those with whom he becomes involved.
You wouldn't let song lyrics rule your life would you? You wouldn't become so infatuated with a pop star that you would use their words to make decisions on your relationships would you? Jay would. Join him as he tries to grow up in the 90s in a haze of lust, indie-pop & warm lager while all the time looking to Morrissey for guidance.
A nuanced satire--both hilarious and disconcerting--that probes the blurred lines between empowerment, spirituality, and consumerism in our online lives.
Lilian Quick is 40, single, and childless, working as a pet portrait artist. She paints the colored light only she can see, but animal aura portraits are a niche market at best. She's working hard to build her brand on social media and struggling to pay the rent.
Her estranged cousin has become internet-famous as "Eleven" Novak, the face of a massive feminine lifestyle empowerment brand, and when Eleven comes to town on tour, the two women reconnect. Despite twenty years of unexplained silence, Eleven offers Lilian a place at The Temple, her Manhattan office. Lilian accepts, moves to New York, and quickly enrolls in The Ascendency, Eleven's signature program: an expensive, three-month training seminar on leadership, spiritual awakening, and marketing. Eleven is going to help her cousin become her best self: confident, affluent, and self-actualized.
In just three months, Lilian's life changes drastically: She learns how to break her negative thought patterns, achieves financial solvency, grows an active and engaged online following, and builds authentic friendships. She finally feels seen for who she really is. Success! . . . But can Lilian trust everything Eleven says? This compelling, heartfelt satire asks us: How do we recognize authenticity when storytelling and magic have been co-opted by marketing?
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