Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
Hard Times - cover

Hard Times

Charles Dickens

Publisher: Serapis Classics

  • 0
  • 0
  • 0

Summary

Hard Times is unusual in several respects. It is by far the shortest of Dickens' novels, barely a quarter of the length of those written immediately before and after it. Also, unlike all but one of his other novels, Hard Times has neither a preface nor illustrations. Moreover, it is his only novel not to have scenes set in London. Instead the story is set in the fictitious Victorian industrial Coketown, a generic Northern English mill-town, in some ways similar to Manchester, though smaller. Coketown may be partially based on 19th-century Preston. One of Dickens's reasons for writing Hard Times was that sales of his weekly periodical, Household Words, were low, and it was hoped the novel's publication in installments would boost circulation – as indeed proved to be the case. Since publication it has received a mixed response from critics. Critics such as George Bernard Shaw and Thomas Macaulay have mainly focused on Dickens's treatment of trade unions and his post–Industrial Revolution pessimism regarding the divide between capitalist mill owners and undervalued workers during the Victorian era. F. R. Leavis, a great admirer of the book, included it — but not Dickens' work as a whole — as part of his Great Tradition of English novels.
Available since: 09/21/2017.
Print length: 249 pages.

Other books that might interest you

  • Peter Rabbit - cover

    Peter Rabbit

    Beatrix Potter

    • 0
    • 0
    • 0
    Once upon a time there were four little Rabbits, and their names were — Flopsy, Mopsy, Cotton-tail, and Peter. Mischievous and disobedient young Peter Rabbit is chased about the garden of Mr. McGregor. He escapes and returns home to his mother Mrs. Rabbit who puts him to bed after dosing him with camomile tea.
    Show book
  • A Daughter of Albion - cover

    A Daughter of Albion

    Anton Chekhov

    • 0
    • 0
    • 0
    Albion's Daughter is a story by Anton Pavlovich Chekhov. Written in 1883, first published in 1883 in the magazine "Oskolki" No. 33 for August 13, signed by A. Chekhonte. 'A Daughter of Albion' is a short story hitting out at the free-spirited and broad-minded British of the nineteenth century. The word 'Albion' indicates someone belonging to Great Britain or England. In this story penned by Anton Chekhov, one of the greatest short story writers of the nineteenth century, a British governess is ridiculed by her cynical employer, who is infatuated with her. Her married employer is in a sexual relationship with her despite having a wife and children. He loves spending time with this free-spirited and haughty governess who looks down upon the Russian's backwardness. Because of her, he has taken to fishing all day without caring for his job, family, or friends. Chekhov uses subtle and brazen sexual innuendos to bring out the feelings Gryabov, the landowner, has for Fyce, the British governess.
    Show book
  • A Portrait of the Artist as a Young Man - cover

    A Portrait of the Artist as a...

    James Joyce

    • 0
    • 0
    • 0
    A Portrait of the Artist as a Young Man is Joyce’s semi-autobiographical first novel. It traces the early life of Stephen Dedalus and his inner struggle with the oppression of Irish society and the Catholic church, ending with his awakening as a poet and writer and self-imposed exile from Ireland.
    Show book
  • Age of Specialisation The (Unabridged) - cover

    Age of Specialisation The...

    H. G. Wells

    • 0
    • 0
    • 0
    Herbert George Wells (21 September 1866 - 13 August 1946) was an English writer. Prolific in many genres, he wrote dozens of novels, short stories, and works of social commentary, history, satire, biography and autobiography. His work also included two books on recreational war games. Wells is now best remembered for his science fiction novels and is often called the "father of science fiction", along with Jules Verne and the publisher Hugo Gernsback.AN AGE OF SPECIALISATION: There is something of the phonograph in all of us, but in the sort of eminent person who makes public speeches about education and reading, and who gives away prizes and opens educational institutions, there seems to be little else but gramophone.
    Show book
  • The Registered Packet - cover

    The Registered Packet

    J. S. Fletcher

    • 0
    • 0
    • 0
    Joseph Smith Fletcher (1863-1935) was a British journalist and author. He wrote more than 230 books on a wide variety of subjects, both fiction and nonfiction. He was one of the leading writers of detective fiction in the Victorian 'golden age' of the short story.'The Registered Packet' is the story of Martineau, a young man returning home by ship after a two-year absence. On the ship he meets a stranger and volunteers to deliver a small parcel for him to the nearest post office, in order that his fellow traveller might catch his train. But on arrival in Hull, Martineau inadvertently leaves his bag in the cab. He is able to track down the vehicle and find his bag again, but to his horror the packet which was entrusted to him has disappeared. He and his brother set off in search of the missing package...and what follows is an extraordinary tale.
    Show book
  • British Short Story The - Volume 7 – Ada Ester Leverson to Baroness Orczy - cover

    British Short Story The - Volume...

    Ada Ester Leverson, William...

    • 0
    • 0
    • 0
    These British Isles, moored across from mainland Europe, are more often seen as a world unto themselves.  Restless and creative, they often warred amongst themselves until they began a global push to forge a World Empire of territory, of trade and of language. 
     
    Here our ambitions are only of the literary kind.  These shores have mustered many masters of literature. So this anthology’s boundaries includes only those authors who were born in the British Isles - which as a geographical definition is the UK mainland and the island of Ireland - and wrote in a familiar form of English. 
     
    Whilst Daniel Defoe is the normal starting point we begin a little earlier with Aphra Behn, an equally colourful character as well as an astonishing playwright and poet.  And this is how we begin to differentiate our offering; both in scope, in breadth and in depth.  These islands have raised and nurtured female authors of the highest order and rank and more often than not they have been sidelined or ignored in favour of that other gender which usually gets the plaudits and the royalties. 
     
    Way back when it was almost immoral that a woman should write.  A few pages of verse might be tolerated but anything else brought ridicule and shame.  That seems unfathomable now but centuries ago women really were chattel, with marriage being, as the Victorian author Charlotte Smith boldly stated ‘legal prostitution’.  Some of course did find a way through - Jane Austen, the Brontes and Virginia Woolf but for many others only by changing their names to that of men was it possible to get their book to publication and into a readers hands.  Here we include George Eliot and other examples. 
     
    We add further depth with many stories by authors who were famed and fawned over in their day.  Some wrote only a hidden gem or two before succumbing to poverty and death. There was no second career as a game show guest, reality TV contestant or youtuber. They remain almost forgotten outposts of talent who never prospered despite devoted hours of pen and brain. 
     
    Keeping to a chronological order helps us to highlight how authors through the ages played around with characters and narrative to achieve distinctive results across many scenarios, many styles and many genres. The short story became a sort of literary laboratory, an early disruptor, of how to present and how to appeal to a growing audience as a reflection of social and societal changes.  Was this bound to happen or did a growing population that could read begin to influence rather than just accept? 
     
    Moving through the centuries we gather a groundswell of authors as we hit the Victorian Age - an age of physical mass communication albeit only on an actual printed page.  An audience was offered a multitude of forms: novels (both whole and in serialised form) essays, short stories, poems all in weekly, monthly and quarterly form.  Many of these periodicals were founded or edited by literary behemoths from Dickens and Thackeray through to Jerome K Jerome and, even some female editors including Ethel Colburn Mayne, Alice Meynell and Ella D’Arcy. 
     
    Now authors began to offer a wider, more diverse choice from social activism and justice – and injustice to cutting stories of manners and principles.  From many forms of comedy to mental meltdowns, from science fiction to unrequited heartache.  If you can imagine it an author probably wrote it.  
     
    At the end of the 19th Century bestseller lists and then prizes, such as the Nobel and Pulitzer, helped focus an audience’s attention to a books literary merit and sales worth. Previously coffeehouses, Imperial trade, unscrupulous overseas printers ignoring copyright restrictions, publishers with their book lists as an appendix and the gossip and interchange of polite society had been the main avenues to secure sales and profits.
    Show book