Other books that might interest you

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  The First Men in the Moon

  H. G. Wells

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  When penniless businessman Mr Bedford retreats to the Kent coast to write a play, he meets by chance the brilliant Dr Cavor, an absent-minded scientist on the brink of developing a material that blocks gravity. Cavor soon succeeds in his experiments, only to tell a stunned Bedford the invention makes possible one of the oldest dreams of humanity: a journey to the moon. With Bedford motivated by money, and Cavor by the desire for knowledge, the two embark on the expedition. But neither are prepared for what they find—a world of freezing nights, boiling days and sinister alien life, on which they may be trapped forever.

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  The Queen of Spades - The...

  Alexander Pushkin

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  Alexander Sergeyevich Pushkin was born on 26th May 1799 in Moscow into a family of Russian nobility. 
   
  Raised by nursemaids and French tutors in French he learnt Russian only via the household staff. 
   
  He graduated from the prestigious Imperial Lyceum, near St Petersburg and plunged into the vibrant and raucous intellectual youth culture of what was then the capital of the Russian Empire.  
   
  In 1820, he published his first long poem, ‘Ruslan and Ludmila’, with much controversy about both subject and style.  Pushkin was heavily influenced by the French Enlightenment and gravitated, with other literary radicals, towards social reform angering the Government. 
   
  His early literary work and reputation was poetic and written as he travelled around the Empire or engaged himself in various rebellions against the Ottoman Empire.  A clash with his own government after his poem, ‘Ode to Liberty’, was found among the belongings of the Decembrist Uprising rebels meant two years of internal exile at his mother's rural estate.  His friends and family continually petitioned for his release, sending letters and meeting with Tsar Alexander I and then Tsar Nicholas I.   
   
  In 1825, whilst at his Mother’s estate, Pushkin wrote his most famous play, the drama ‘Boris Godunov’.  
   
  Upon meeting with Tsar Nicholas I, Pushkin obtained his release and began work as the Tsar's Titular Counsel of the National Archives.  However, because of the earlier problems the tsar retained control of everything Pushkin published, and he was banned from travelling at will. 
   
  Around 1828, Pushkin met the 16-year-old Natalia Goncharova, one of the most talked-about beauties of Moscow.  After much hesitation, Natalia accepted his marriage proposal after she received assurances that the government had no intentions to persecute the libertarian poet.  When the Tsar gave Pushkin the lowest court title, Gentleman of the Chamber, he became enraged, feeling that the Tsar intended to humiliate him. 
   
  In the year 1831, during Pushkin's growing literary influence, he met Nikolai Gogol.  Recognising his gifts Pushkin supported him and published his short stories in his own magazine ‘The Contemporary’. 
   
  By the autumn of 1836, Pushkin was falling into greater and greater debt and facing scandalous rumours that his wife was having an affair.  
   
  In January 1837, Pushkin sent a ‘highly insulting letter’ to his wife’s pursuer, Georges-Charles de Heeckeren d'Anthès.  The only answer could be a challenge to a duel. 
   
  It took place on 27th January.  D'Anthès fired first, critically wounding Pushkin; the bullet entered at his hip and penetrated his abdomen.  Two days later Alexander Pushkin died of peritonitis.  He was 37. 
   
  One of Pushkin’s most lauded stories ‘The Queen of Spades’ takes on gambling and the need for just a tiny piece of information that will turn the game in his favour and take life to a level that is sure to be both deserved and his by right.

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  Gargoyles

  Ben Hecht

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  Welcome to the life of George Basine, and those of his family and friends; as legendary author and screenwriter Ben Hecht takes the listener through a maze of ethical struggle and identity related dilemmas involving the everlasting questions of perception and self-perception...

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  Julius Caesar

  William Shakespeare

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  “Men at some time are masters of their fates. The fault, dear Brutus, is not in our stars, but in ourselves, that we are underlings.”Julius Caesar is at the height of his power. He has just defeated his top rival and is basking in the glory of his triumph. Some believe that he is abusing his power, though, and behind his back, a conspiracy is developing to assassinate him. Even his close advisor Brutus is swayed to participate in the murder plot.Once Caesar is murdered, the conspirators are forced to explain themselves to Rome’s citizens and explain their intentions, and attempt to convince them that this murder was necessary to create peace. While many people understand their reasoning and agree that the murder was a tragic necessity, Caesar’s death exacerbates the conflicts and power struggles, and the rest of the tragedy demonstrates the bloody aftermath of the conspirators’ act of violence.Julius Caesar is one of Shakespeare’s most well-known history plays and is revered for its profound writing and thought-provoking perspective on this famous historical event. Shakespeare’s humanization of these real-life characters gives listeners a peek into both sides of the story in an unforgettable way.

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  British Short Story The - Volume...

  Anthony Trollope, George Eliot,...

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  These British Isles, moored across from mainland Europe, are more often seen as a world unto themselves.  Restless and creative, they often warred amongst themselves until they began a global push to forge a World Empire of territory, of trade and of language. 
   
  Here our ambitions are only of the literary kind.  These shores have mustered many masters of literature. So this anthology’s boundaries includes only those authors who were born in the British Isles - which as a geographical definition is the UK mainland and the island of Ireland - and wrote in a familiar form of English. 
   
  Whilst Daniel Defoe is the normal starting point we begin a little earlier with Aphra Behn, an equally colourful character as well as an astonishing playwright and poet.  And this is how we begin to differentiate our offering; both in scope, in breadth and in depth.  These islands have raised and nurtured female authors of the highest order and rank and more often than not they have been sidelined or ignored in favour of that other gender which usually gets the plaudits and the royalties. 
   
  Way back when it was almost immoral that a woman should write.  A few pages of verse might be tolerated but anything else brought ridicule and shame.  That seems unfathomable now but centuries ago women really were chattel, with marriage being, as the Victorian author Charlotte Smith boldly stated ‘legal prostitution’.  Some of course did find a way through - Jane Austen, the Brontes and Virginia Woolf but for many others only by changing their names to that of men was it possible to get their book to publication and into a readers hands.  Here we include George Eliot and other examples. 
   
  We add further depth with many stories by authors who were famed and fawned over in their day.  Some wrote only a hidden gem or two before succumbing to poverty and death. There was no second career as a game show guest, reality TV contestant or youtuber. They remain almost forgotten outposts of talent who never prospered despite devoted hours of pen and brain. 
   
  Keeping to a chronological order helps us to highlight how authors through the ages played around with characters and narrative to achieve distinctive results across many scenarios, many styles and many genres. The short story became a sort of literary laboratory, an early disruptor, of how to present and how to appeal to a growing audience as a reflection of social and societal changes.  Was this bound to happen or did a growing population that could read begin to influence rather than just accept? 
   
  Moving through the centuries we gather a groundswell of authors as we hit the Victorian Age - an age of physical mass communication albeit only on an actual printed page.  An audience was offered a multitude of forms: novels (both whole and in serialised form) essays, short stories, poems all in weekly, monthly and quarterly form.  Many of these periodicals were founded or edited by literary behemoths from Dickens and Thackeray through to Jerome K Jerome and, even some female editors including Ethel Colburn Mayne, Alice Meynell and Ella D’Arcy. 
   
  Now authors began to offer a wider, more diverse choice from social activism and justice – and injustice to cutting stories of manners and principles.  From many forms of comedy to mental meltdowns, from science fiction to unrequited heartache.  If you can imagine it an author probably wrote it.  
   
  At the end of the 19th Century bestseller lists and then prizes, such as the Nobel and Pulitzer, helped focus an audience’s attention to a books literary merit and sales worth. Previously coffeehouses, Imperial trade, unscrupulous overseas printers ignoring copyright restrictions, publishers with their book lists as an appendix and the gossip and interchange of polite society had been the main avenues to secure sales and profits.

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  The Serpent Woman - A Spanish...

  S.G.C. Middlemore

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  When Don Juan returns home after years of travel, he brings with him a beautiful and mysterious young wife, Dona Pepa. Despite her beauty, Dona Pepa is mistrusted and disliked by everyone.Several years after this, Don Juan invites his nephew, Don Luis, for an extended visit. Don Luis takes an instant dislike to his aunt. Moreover, he often sees a sinister snake around the house, which fills him with fear and loathing. He soon realises that this snake is Dona Pepa in another form.He seeks the advice of a hermit who tells him how to deal with the evil woman. But Don Luis is reluctant to take action against his aunt, until something happens that leaves him no choice. A chance meeting with a former servant leads him to discover the strange method by which he can conquer the evil serpent woman.

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