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Publisher: HarperCollins e-books
The Days Run Away Like Wild Horses is a book of poems written by Charles Bukowski for Jane, his first love. These poems explore a more emotional side to Charles Bukowski.
In this wonderful book, Paschold uses soil, that thin layer sustaining life on earth, to organize their poetry.-- Brian Wienhold, Retired Soil Scientist You will savor the insights and honesty of these poems. Particularly satisfying is this poet’s knowledge of nature.-- Marjorie Saiser, author of The Track the Whales Make The strength of Paschold’s book lies in its poems that emphasize the interconnectedness of all living plants and creatures, including humans—a reality we don’t often acknowledge.-- Twyla M. Hansen, Nebraska State Poet 2013-2018, Author of Feeding the Fire (2022 WSC Press) Embark on a captivating journey through the vibrant world of living soil, where new horizons await under the very ground we tread and the tapestry of human experience unfolds. This is an invitation to delve deep into the bonds of family, to explore identity and the spectacular essence of beauty, and to discover the marvels of Mother Nature's cyclical dance. Horizons pays homage to the richness of soil, a precious nonrenewable resource, blending the art of poetry with the wonders of science and everyday life. So come join us on this expedition, those of you from all walks of life, starting from the bedrock of soil and venturing forth until we reach the breaking of the earth, to bask in the sun.Show book
“April is the cruellest month, breeding Lilacs out of the dead land, mixing Memory and desire, stirring Dull roots with spring rain.” The Waste Land is a seminal work of modernist poetry by T.S. Eliot. Written in 1922, this five-part poem is a portrait of its time, a work that expresses the disillusionment of the modernist era and the desperation that the generation of writers of that time was feeling. This poem comes from the area just after the first world war, an era in which the world was in disarray. Many young men had lost their lives or livelihoods from the war, families were torn apart, and the survivors were aimless and disoriented at how to move on. This was the era of literary greats like Ezra Pound, F. Scott. Fitzgerald, Gertrude Stein and, of course, T. S. Eliot. The artists of this time turned to poetry and literature as a way of expressing the widespread spirt of wandering their generation had come to embody. The Waste Land’s alternating narrators, character vignettes, references to eastern religions, and imagery of chaos and disillusionment all come together to create an impactful and insightful work of art. This poem exemplifies a generation of artists, and is a masterful work from a great artist at his peak.Show book
A funny, sad and truthful romantic comedy about beating the biological clock. Winner of an Edinburgh Fringe First Award Barbs Marshall is a celebrity hairdresser in Glasgow. She is successful and well off, but she is 39 years old and almost deafened by the ticking of her biological clock. To make matters worse, her mother is a nag, her best friend is holding out on her, and her ex-husband has a new 22-year-old girlfriend. Then she meets a 26-year-old stranger who seems more than ready to oblige. But the complications are by no means over... 'People seldom write life-style comedies like Perfect Days for the stage anymore. The last scene has jokes so marvellous that they are greeted by rounds of applause as one blinks back the odd tear' - Financial Times 'The mix of pithy patter and heartwrenching poignancy works a treat' - The Times 'A huge popular hit' - Daily MailShow book
The NHB Drama Classics series presents the world's greatest plays in affordable, highly readable editions for students, actors and theatregoers. The hallmarks of the series are accessible introductions (focussing on the play's theatrical and historical background, together with an author biography, key dates and suggestions for further reading) and the complete text, uncluttered with footnotes. The translations, by leading experts in the field, are accurate and above all actable. The editions of English-language plays include a glossary of unusual words and phrases to aid understanding. Frank Wedekind's famously banned German play, Spring Awakening, was written in 1891 and focuses on a group of classmates and explores adolescent sexuality and the emotional consequences if suppressed.Show book
The Passionate Pilgrim, a collection of beautiful verses by Shakespeare and other contemporary poets, is here paired with the Bard's intriguing allegorical work The Phoenix and the Turtle, which focuses on the love and death of two birds a Phoenix and a Turtle Dove. Mysterious and haunting, these rarely recorded works are richly rewarding, performed to perfection by Gerard Logan. Highly praised for his performance of Shakespeare's The Rape of Lucrece, AUK Classics now bring you a wonderful set of readings from Olivier Award nominated actor Gerard Logan. This collection of readings will delight and enthrall in equal measure, and will appeal to many people, from casual listeners to true Shakespare fans. It may also be seen as a masterclass for aspiring performers, and will enhance any audiobook collection.Show book
A vivid and fast-paced ride through a working-class London estate, fusing Shakespeare-inspired lyricism with Cockney accents. First seen at the Etcetera Theatre, London, in December 2016, Elliot Warren's play Flesh and Bone moved to the Pleasance Dome at the 2017 Edinburgh Festival Fringe (where it won a Fringe First, amongst other awards), and subsequently to the Adelaide Fringe (where it was overall winner of the Best Theatre Award) and Soho Theatre, London, in 2018. 'Blistering... explodes on to the stage as if Shakespeare was alive and well and living in a tower block in east London... the play's elevated language spliced with realism allows the characters to talk about who they are underneath: vital, interesting, multi-dimensional souls who want to live fruitful lives' - Scotsman 'Barges its way onto the stage and stays there, shouty, gobby and full of heart until the last, painting a portrait of an east London council estate as rollickingly funny as it is punchily poignant... a bunker-busting hotchpotch of monologues and short skits, smashing together an archaic lyricism and a contemporary, expletive-filled vernacular' - The Stage 'Visceral, high-octane... leaves you with much to think about' - British Theatre Guide 'Has a glorious, rolling swagger... this lyrical ode to the community of a London council estate is blunt, filthy and ingenious... [the] spittle-flecked gobbets of blank verse shove Shakespeare in between sinewy streams of modern patter. It works beautifully, turning the air blue with its sweary rhythm and pitch. The poetry of it hits like two fingers flicked with a smile' - Fest MagShow book
