A companion to On Writing and On Cats: A raw and tender poetry collection that captures the Dirty Old Man of American letters at his fiercest and most vulnerable, on a subject that hits home with all of us.
Charles Bukowski was a man of intense emotions, someone an editor once called a “passionate madman.” In On Love, we see Bukowski reckoning with the complications and exaltations of love, lust, and desire. Alternating between tough and gentle, sensitive and gritty, Bukowski lays bare the myriad facets of love—its selfishness and its narcissism, its randomness, its mystery and its misery, and, ultimately, its true joyfulness, endurance, and redemptive power.
Bukowski is brilliant on love—often amusing, sometimes playful, and fleetingly sweet. On Love offers deep insight into Bukowski the man and the artist; whether writing about his daughter, his lover, his friends, or his work, he is piercingly honest and poignantly reflective, using love as a prism to see the world in all its beauty and cruelty, and his own fragile place in it. “My love is a hummingbird sitting that quiet moment on the bough,” he writes, “as the same cat crouches.”
Brutally honest, flecked with humor and pathos, On Love reveals Bukowski at his most candid and affecting.
Doris Lessing's love affair with cats began at a young age, when she became intrigued with the semiferal creatures on the African farm where she grew up. Her fascination with the handsome, domesticated creatures that have shared her flats and her life in London remained undiminished, and grew into real love with the awkwardly lovable El Magnifico, the last cat to share her home.
On Cats is a celebrated classic, a memoir in which we meet the cats that have slunk and bullied and charmed their way into Doris Lessing's life. She tells their stories—their exploits, rivalries, terrors, affections, ancient gestures, and learned behaviors—with vivid simplicity. And she tells the story of herself in relation to cats: the way animals affect her and she them, and the communication that grows possible between them—a language of gesture and mood and desire as eloquent as the spoken word. No other writer conveys so truthfully the real interdependence of humans and cats or convinces us with such stunning recognition of the reasons why cats really matter.
A ward-winning writer and editor Al Sarrantonio gathers together twenty-nine original stories from masters of the macabre. From dark fantasy and pure suspense to classic horror tales of vampires and zombies, 999 showcases the extraordinary scope of fantastical fright fiction. The stories in this anthology are a relentless tour de force of fear, which will haunt you, terrify you, and keep the adrenaline rushing all through the night.
Scotland's worst and most infamous murders: Includes accounts of the infamous Burke and Hare, cannibalistic Sawney Bean, child murderer Jessie King, still-unidentified Bible John and the present-day crimes of Peter Tobin.
This chilling collection of murderous tales brings together forty-seven cases spanning two centuries, all of which were committed in Scotland.
Among the shocking crimes featured here is the case of an Edinburgh baby farmer hanged in 1889; the controversial killing of a wealthy Glasgow spinster in 1908; the shooting of a Detective Inspector during a failed attempt to rescue a convict from a prison van in Glasgow in 1921; and the summary execution of a German POW at the hands of his fellow Nazi prisoners in Comrie, Perthshire in 1944.
This well-illustrated and enthralling book will appeal to everyone interested in true crime and the shadier side of Scotland’s past.
"Medieval Wales" is a series of 6 lectures, first delivered at Cardiff in 1901 by Andrew George Little.
They include: Introductory; Geoffrey of Monmouth; Giraldus of Cambrensis; Castles; Religious Houses; and, Llywelyn Ap Gruffydd and The Baron's War.
Andrew George Little was an English historian, specialising in the Franciscans (known as the Greyfriars) in medieval England. He was Professor of History at the University College of South Wales, Cardiff, between 1898 and 1901, when he wrote his masterpiece "Medieval Wales".
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