Few previous publications have focused on Welsh family history, and none have provided a comprehensive guide to the genealogical information available and where to find it. That is why the publication of Beryl Evans's new Welsh family history handbook is such a significant event in the field. Her detailed, accessible, authoritative guide will be essential reading and reference for anyone who is eager to research ancestors from Wales. *She describes the key archival sources and shows how the development of new technology, the internet in particular, has made them so much easier to explore. Drawing on her long experience of family history work, she gives clear practical advice on how to start a research project, and she sketches in the outlines of Welsh history, Welsh surnames and place-names and the Welsh language. *But the main body of her book is devoted to identifying the variety of sources researchers can consult - the archive repositories, including The National Library of Wales, civil records of all kinds, the census, parish registers, wills, the records of churches, chapels, schools, businesses, tax offices and courts, and the wide range of printed records. *Beryl Evans's handbook will be a basic text for researchers of Welsh descent and for anyone who is keen to learn about Welsh history
'Did all women have something of the witch about them?' Jane Chandler is an apprentice healer. From childhood, she and her mother have used herbs to cure the sick. But Jane will soon learn that her sheltered life in a small village is not safe from the troubles of the wider world. From his father's beatings to his uncle's raging sermons, John Sharpe is beset by bad fortune. Fighting through personal tragedy, he finds his purpose: to become a witch-finder and save innocents from the scourge of witchcraft. Inspired by true events, Widdershins tells the story of the women who were persecuted and the men who condemned them.
Friedrich Nietzsche was an extremely popular 19th century German philosopher. Nietzsche wrote on a variety of topics including religion, morality, science, and modern culture. Many scholars still study Nietzsche’s works and ideology today. This edition of Homer and Classical Philology includes a table of contents.
The father of the ancient alien theory with more than 65 million books sold reveals everything he has withheld for years.In all his years of service, why didn't Erich von Däniken ever doubt his theory that inhabitants of other planets had come into contact with humanity ages ago, and that they still observe us today? How could von Däniken in all these years say firmly that the UFO phenomenon is real and that people are being abducted by aliens? Why does he repeatedly criticize the official historiography and our religions and thus accept scorn and hostility?The answers to these questions are: Because Erich von Däniken spoke to people who supported his theories. Because people who saw UFOs or were kidnapped by aliens trusted him. And because experts and insiders inaugurated secrets known to only a few people.In this book, the now 81-year-old presents selected eyewitnesses and insiders for the first time, reveals secrets and stories that he has hitherto kept private, and presents reports and revelations that leave one speechless!
Common People is the latest campaigning anthology from the publisher of bestsellers The Good Immigrant (70k copies sold to date) and Repeal the 8th.It features original work from some of our best-known writers: Kit De Waal, Malorie Blackman, Lisa McInerney, Cathy Rentzenbrink, Stuart Maconie, Louise Doughty, Damian Barr and Daljit Nagra among others.Kit de Waal’s debut novel, My Name is Leon, was an international bestseller. It won Kerry Group Irish Novel of the Year 2017 and was shortlisted for the Costa First Book Award, the Desmond Elliott Prize and the British Book Awards 2017 Best Debut Book of the Year.Kit is one of the UK’s most prominent voices calling for inclusivity and working-class representation in the arts, and has established a creative writing scholarship at Birkbeck University.Almost half of all authors, writers and
translators in the UK come from professional, middle-class backgrounds,
compared with just 10 per cent of those from working-class backgrounds. This
anthology addresses that pressing imbalance.There will be events across the UK on publication, including all the major literary festivals.For fans of The Good Immigrant, Know Your Place: Essays on the Working Class by the Working Class, Brit(ish) by Afua Hirsch.
A #1 NEW YORK TIMES BESTSELLER
One of the most salient features of our culture is that there is so much bullshit. Everyone knows this. Each of us contributes his share. But we tend to take the situation for granted. Most people are rather confident of their ability to recognize bullshit and to avoid being taken in by it. So the phenomenon has not aroused much deliberate concern. We have no clear understanding of what bullshit is, why there is so much of it, or what functions it serves. And we lack a conscientiously developed appreciation of what it means to us. In other words, as Harry Frankfurt writes, "we have no theory."
Frankfurt, one of the world's most influential moral philosophers, attempts to build such a theory here. With his characteristic combination of philosophical acuity, psychological insight, and wry humor, Frankfurt proceeds by exploring how bullshit and the related concept of humbug are distinct from lying. He argues that bullshitters misrepresent themselves to their audience not as liars do, that is, by deliberately making false claims about what is true. In fact, bullshit need not be untrue at all.
Rather, bullshitters seek to convey a certain impression of themselves without being concerned about whether anything at all is true. They quietly change the rules governing their end of the conversation so that claims about truth and falsity are irrelevant. Frankfurt concludes that although bullshit can take many innocent forms, excessive indulgence in it can eventually undermine the practitioner's capacity to tell the truth in a way that lying does not. Liars at least acknowledge that it matters what is true. By virtue of this, Frankfurt writes, bullshit is a greater enemy of the truth than lies are.
An exploration of cuteness and its immense hold on us, from emojis and fluffy puppies to its more uncanny, subversive expressions
Cuteness has taken the planet by storm. Global sensations Hello Kitty and Pokémon, the works of artists Takashi Murakami and Jeff Koons, Heidi the cross-eyed opossum and E.T.—all reflect its gathering power. But what does “cute” mean, as a sensibility and style? Why is it so pervasive? Is it all infantile fluff, or is there something more uncanny and even menacing going on—in a lighthearted way? In The Power of Cute, Simon May provides nuanced and surprising answers.
We usually see the cute as merely diminutive, harmless, and helpless. May challenges this prevailing perspective, investigating everything from Mickey Mouse to Kim Jong-il to argue that cuteness is not restricted to such sweet qualities but also beguiles us by transforming or distorting them into something of playfully indeterminate power, gender, age, morality, and even species. May grapples with cuteness’s dark and unpindownable side—unnerving, artful, knowing, apprehensive—elements that have fascinated since ancient times through mythical figures, especially hybrids like the hermaphrodite and the sphinx. He argues that cuteness is an addictive antidote to today’s pressured expectations of knowing our purpose, being in charge, and appearing predictable, transparent, and sincere. Instead, it frivolously expresses the uncertainty that these norms deny: the ineliminable uncertainty of who we are; of how much we can control and know; of who, in our relations with others, really has power; indeed, of the very value and purpose of power.
The Power of Cute delves into a phenomenon that speaks with strange force to our age.
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