Translator Warner Oland, Edith Oland
Publisher: Good Press
The Swedish dramatist Strinberg (1849-1912) was a prolific playwright and novelist. He was innovative and experimental and these three plays represent some of those modernist works.
“The speaker in Shelley Puhak’s Harbinger is no closer to knowing herself than I am, than we are, which is why we trust her. Each similarly titled poem holds a triptych mirror up to the artist and, in so doing, up to us all, so we may better see ourselves as we are. In ever-changing form.” —Nicole Sealey A stunning meditation on artistic creation and historical memory from the winner of the National Poetry Series, chosen by Nicole Sealey From “Portrait of the artist, gaslit” to “Portrait of the artist’s ancestors” to “Portrait of the artist reading a newspaper,” the poems in Harbinger reflect the many facets of the artistic self as well as the myriad influences and experiences that contribute to that identity. “Portrait of the artist as a young man” has long been the default position, but these poems carve out a different vantage point. Seen through the lens of motherhood, of working as a waitress, of watching election results come in, or of simply sitting in a waiting room, making art—and making an artist—is a process wherein historical events collide with lived experience, both deeply personal but also unfailingly political. When we make art, for what (and to whom) are we accountable? And what does art-making demand of us, especially as apocalypse looms? With its surprising insights, Harbinger, the latest book from acclaimed poet Shelley Puhak, shows us the reality of the constantly evolving and unstable self, a portrait of the artist as fragmentary, impressionable, and always in flux.Show book
LibriVox volunteers bring you 17 recordings of Believe Me, If All Those Endearing Young Charms by Thomas Moore. This was the Weekly Poetry project for February 14th, 2010.Show book
LibriVox volunteers bring you 7 recordings of Song of the Shingle-Splitters by Henry C. Kendall. This was the weekly poetry project for June 7th, 2009.Show book
Winner of the 2010 A. M. Klein Poetry Prize Shortlisted for the 2010 Griffin Poetry Prize Descartes asked, How can I know that I am not now dreaming? The Certainty Dream poses similar questions through poetry, but without the trappings of traditional philosophy. Kate Hall’s bracingly immediate, insistently idiosyncratic debut collection lays bare thetricks and tools of her trade: a mynah bird perches in poems but 'stands for nightingale'; the poet’s antelope turns transparent; she dresses up her orange trees with bark and leaves. As the dream world and the waking world blur, the body and the dimensions it inhabits become a series of overlapping circles, all acting as containers for both knowledge and uncertainty. At times disarmingly plainspoken, at others, singing with lyric possibility, these poems make huge associative leaps. Taken together, they present the argument that to truly 'know' something, one must first recognize its traces in something else. 'Kate Hall unites philosophy and wisdom – without forgetting the chipotle-lime mustard.' – Montreal Review of Books 'The Certainty Dream weaves its way through absurdist outbursts and giddy indulgences of graduate-level philosophy while remaining rooted in the immediacy and, yes,the certainty of everyday life … Hall’s poems unfold with wit, colourful layers and no overwhelming sense of ego or pomp.' – The Dominion 'These are profoundly perfect poems.' – Eye Weekly 'A whimsical and enlightening riff on the philosophic nature of knowing … Hall's imagination liberates language and subject at every blink.' – Winnipeg FreePressShow book
A collection of dark comedies about terrible therapists, dysfunctional parents, and more, from a winner of a Tony Award for Best Play and three Obies. Known for his dark, absurd humor and social commentary, Christopher Durang explores the pain and confusion of everyday life—and makes audiences laugh uproariously at the results. Sister Mary Ignatius Explains It All for You, the center of a storm of controversy for its satire of misplaced trust in religious authority, remains as powerful today as when it was originally produced. The excruciatingly funny The Nature and Purpose of the Universe asks whether Eleanor Mann’s Job-like suffering is really her fault, while Titanic takes us into the heart of children’s anger with their parents and parents’ manipulation of their children. In Beyond Therapy, two horrifyingly human therapists pursue their own needs at the expense of the most mismatched couple ever to meet through a personal ad. Also including ’Dentity Crisis and The Actor’s Nightmare, this collection demonstrates that laughter is the best surgery, slicing through prejudice and hypocrisy, cutting out dead beliefs and inflamed opinions. These black comedies, lit by lightning bolts of truth and humor, come from “one of the most explosively funny American dramatists” (Newsweek). Includes: The Nature and Purpose of the Universe ’Dentity Crisis Titanic The Actor’s Nightmare Sister Mary Ignatius Explains It All for You Beyond TherapyShow book
Madison Julius Cawein was born in Louisville, Kentucky. After graduating from high school, Cawein worked in a pool hall in Louisville as a cashier in Waddill's New-market, which also served as a gambling house. He worked there for six years, saving his pay so he could return home to write.His output was thirty-six books and 1,500 poems. His writing presented Kentucky scenes in a language echoing Percy Bysshe Shelley and John Keats. He soon earned the nickname the "Keats of Kentucky".Note: In Greek mythology, Hippocrene was the name of a spring on Mt. Helicon. It was sacred to the Muses and was formed by the hooves of Pegasus. Its name literally translates as "Horse's Fountain" and the water was supposed to bring forth poetic inspiration when imbibed. - Summary by WikipediaShow book
