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  Hit The Road Jack- reworked -...

  Rachel Lawson

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  Will this killer scare him to death or kill him? 
  Lance Alexander Sr sat singing along with his car radio as he waited to pick up his son Jr. He was totally distracted by the music. He didn't see the man jump in his car til it was too late. "What are you doing in my car," said Lance noticing him. 
  "Drive!" said the stranger coldly. 
  "I'm waiting for my son hit the road, Jack!" said Lance he hadn't time for this guy. 
  "Forget him and drive," said the stranger pulling a gun on Lance. 
  "You don't want to do this mate!" warned Lance knowingly. 
  "do you think you're a magician?" asked the carjacker. 
  "I'm worse!" said Lance smiling darkly as he stared the car and sped off. Lance was worse than a magician they were heroes he was wanted by the police as a serial killer. 
  His son saw his car speed away. 
  "Okay I'll take myself home then!" said Jr shortly and disappeared into thin air teleporting home. 
  Meanwhile, in the car, the carjacker was terrified thinking he chose the wrong car to carjack. The owner was insane and had some sort of a death wish he was all over the road like a madman and had a devil-may-care attitude with the carjacker. 
  "Let me out of here? I'll not hurt you if you let me go," pleaded the carjacker who was petrified. 
  "You said you wanted me to drive," said Lance in a mock hurt tone as he locked the doors and drove on. 
  Music by Suno Ai

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  Whistler The: The Hermit

  Ben S. Hunter

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  Ben's niece Joan suddenly arrives for a visit, before Harvey can find the loot! 
   Harvey finds his old friend Ben living like a hermit afraid to spend the money he embezzled but Harvey is sure he has it and that it must be hidden somewhere in this old house. When he is sure Ben is asleep Harvey lets him self out, slips quietly down the hall to the stairs. The fire is still throwing a good light as he moves around the room searching systematically checking the floorboards, the walls when suddenly Ben appears and challenges him. Harvey strikes him with a heavy bookend then he puts the heavy bookend on the table and stares down on the floor where Ben fell and he realizes that Ben’s dead, that he killed him…

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  Dead America: Seattle Pt 1 - The...

  Derek Slaton

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  The assault on Seattle begins as Sergeant Copeland and a team of specialists airdrop into the northern town of Burlington to set up defenses against the dead. 
  Dead America: The Northwest Invasion follows the military as they attempt to gain a foothold in the war against the undead, as well as the civilians caught in the crossfire.

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  A Northanger Abbey Double...

  Eliza Parsons

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  A woman visits a haunted castle, and two friends share tales of the supernatural in these two gothic novels featured in Jane Austen’s Northanger Abbey. In Jane Austen’s Northanger Abbey, the main character, Catherine, receives a reading list of gothic novels. Once thought to be fabricated by Austen, these novels were rediscovered in the 1920s and are now referred to as the “Northanger Horrid Novels.” Two of the Northanger Horrid Novels, The Castle of Wolfenbach and The Necromancer, are presented here as A Northanger Double Feature.  With hidden identities, damsels in distress, creepy castles, and villainous Counts, The Castle of Wolfenbach (1793) is a showcase for the gothic genre. The story follows the beautiful Matilda as she escapes unwanted advances, braves the haunted castle, and attempts to find safety, and maybe even love, all while being pursued by her murderous uncle. The Castle of Wolfenbach is Eliza Parsons’s most famous novel and an important foundational work in the gothic genre. The Necromancer (1794) is by far the strangest of the Northanger Horrid Novels. The story begins with two friends, Herman and Hellfried, passing a stormy night by exchanging supernatural stories. The weirdness continues to unfold through a series of letters. The work is an example of the gothic genre’s use of framing narratives surrounding first person accounts from multiple characters. The Necromancer takes this trope to staggering heights by nesting multiple narratives inside each other. The resulting stories are a bizarre collection of violence and supernatural shenanigans centered around the mysterious Valkert, who is rumored to have returned from the dead.  Both of these stories are amazing examples of early gothic works and can be enjoyed as such for fans of the genre or read as a companion to Austen’s Northanger Abbey.

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  Plague of the Undead

  Joe McKinney

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  For thirty years, they have avoided the outbreak of walking death that has consumed America's heartland. They have secured a small compound near the ruins of Little Rock, Arkansas. Isolated from the world, they have remained blissfully unaware of what lies outside in the region known as the Dead Lands. Until now.Led by a military vet who's seen better days, the inexperienced offspring of the original survivors form a small expedition to explore the wastelands around them. A biologist, an anthropologist, a photographer, a salvage expert-all are hoping to build a new future from the rubble. But the infected are still out there. Stalking. Feeding. Spreading like a virus. Wild animals roam the countryside, hunting prey. Small pockets of humanity hide in the shadows: some scared, some mad, all dangerous. This is the New World. If the explorers want it, they'll have to take it. Dead or alive.

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  That Is Their Tragedy

  Wen-yi Lee

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  Tara is carrying a baby she can barely afford with her fiancé in London, where she escaped her over attached mother years ago. When she learns she's having a girl and starts hallucinating, she fears her mother may have tracked her down—and that her own traumatic birth is back to haunt her.

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