Other books that might interest you

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  Henry IV Part 1

  William Shakespeare

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  The second of Shakespeare's tetralogy that deals with the successive reigns of Richard II, Henry IV, and Henry V. Henry IV, Part One depicts a span of history that begins with Hotspur's battle at Homildon against the Douglas late in 1402 and ends with the defeat of the rebels at Shrewsbury in the middle of 1403. From the start it has been an extremely popular play both with the public and the critics and this full cast performance is by The Marlowe Society.

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  Grains of Galaxies - A...

  Kristi Brooks

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  This collection of short stories and poems ranges from mysterious fires that spring up from the earth to ghostly spirits roaming in a long-forgotten home to true love that is found and lost way too soon. 
  There are tales of gods who have gone mad and those who have forgotten what it feels like to create and love with empathy. There are encounters that seem like normal everyday situations, but they are anything but normal. Dispersed throughout are poems that tie together the ideas of worlds within worlds and galaxies within a grain of sand.

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  I Like to Wash My Face with...

  Saumitra Saxena, Dhiraj Singh

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  Introducing Saumitra’ s poetry to an English relishing readership is like reliving its flavor a few years ago in Hindi when these very poems caught the print eye of an eminent publisher, Bharatiya Gyanpith. Saumitra’s selection was not only published from there but also bestowed the ‘Navlekhan Award,’ and these poems have been expertly translated by Dhiraj Singh, who gives a Midas touch of his pen when moving from one language from another. 
  Saumitra is, by profession, an engineer and by passion, a poet. He has moved away from India, but his sensibility is filled with boyhood memories and tender moments of his youth. With an economy of words, he expresses himself in short verses that look like a map of his moods. 
  All aspects of nature find expression with Saumitra so much so that he emerges as a friend of live landscapes, changing skies and the smell of raw mangoes. He has a Wordsworthian involvement with nature and with the simple sweet voice of humanity. 
  The translation by Dhiraj Singh is equally sensitive and soulful, conveying the author’s creativity convincingly. To quote the very first poem- 
  ‘Every tree 
  Calls out to her 
  But she chooses 
  Her tree and sits on it 
  She chooses and sits 
  And that is all 
  There is to it.’ 
  At first sight, these may appear to be single –focus expressions, but page after page you come across sensitive lines like these, you are bound to feel involved. 
  ‘I am a bird 
  Let me laugh 
  In your skies 
  Have fun in the furrows of 
  Your fields 
  And your shimmering 
  Irrigation ponds’ 
  Poetry is not a sealed-off entity of nature alone. We live in an urban world, and our concerns are city-bred. Then what impacts our young poet to focus on greener landscapes. Actually, this appears to be Saumitra’s retort to the mechanized, mundane metro culture that leaves us myopic to personal pleasures and the bounty of nature. 
  Mamta Kalia

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  White Piano

  Nicole Brossard

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  language I'll say yes from the top of my rib cage language will you come out and unearth the salt the certitude
   
  Between the verbs quivering and streaming, White Piano unfolds its variations like musical scores. A play of resonance between pronouns and persons, freely percussive between prose and poetry, and narrating a constellation of questions, White Piano offers readers a 'language that cultivates its own craters of fire and savoir-vie.'
   
  'At once achingly aware of mortality and hell-bound in its determination to press forward, change, and grow, White Piano is as brave as it is linguistically rich.'
   
  – Quill & Quire
   
  '[Brossard] writes with a poetic intensity that burns select lines and sometimes entire paragraphs into the reader's mind.'
   
  – Montreal Gazette

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  Harbinger - Poems

  Shelley Puhak

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   “The speaker in Shelley Puhak’s Harbinger is no closer to knowing herself than I am, than we are, which is why we trust her. Each similarly titled poem holds a triptych mirror up to the artist and, in so doing, up to us all, so we may better see ourselves as we are. In ever-changing form.” —Nicole Sealey  
  A stunning meditation on artistic creation and historical memory from the winner of the National Poetry Series, chosen by Nicole Sealey 
  From “Portrait of the artist, gaslit” to “Portrait of the artist’s ancestors” to “Portrait of the artist reading a newspaper,” the poems in Harbinger reflect the many facets of the artistic self as well as the myriad influences and experiences that contribute to that identity. 
  “Portrait of the artist as a young man” has long been the default position, but these poems carve out a different vantage point. Seen through the lens of motherhood, of working as a waitress, of watching election results come in, or of simply sitting in a waiting room, making art—and making an artist—is a process wherein historical events collide with lived experience, both deeply personal but also unfailingly political. When we make art, for what (and to whom) are we accountable? And what does art-making demand of us, especially as apocalypse looms? 
  With its surprising insights, Harbinger, the latest book from acclaimed poet Shelley Puhak, shows us the reality of the constantly evolving and unstable self, a portrait of the artist as fragmentary, impressionable, and always in flux. 
    

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  Twelfth Night

  William Shakespeare

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  Twelfth Night, first performed around 1600, probably at the court of Queen Elizabeth I, is the tale of separated brother and sister twins – Sebastian and Viola – and their love entanglements. It also offers the rich comic colours of Sir Toby Belch, Malvolio and Sir Andrew Aguecheek. Twelfth Night is part of Naxos AudioBooks’ exciting new series of complete dramatisations of the works of Shakespeare, in conjunction with Cambridge University Press. It uses the New Cambridge Shakespeare text, as used by the Royal Shakespeare Company and educational institutions across the world.

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