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  Poetry And Imagination

  Ralph Waldo Emerson

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  Poetry and Imagination is considered most of his important essays of Ralph Waldo Emerson.Poetry and Imagination is part of a series of Ralph Waldo tests Emerson.Um inspiring text, endowed with beauty and poetry.

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  Lesbianism Made Easy

  Helen Eisenbach

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  The essential guide to enjoying modern lesbianism These days, lesbians are everywhere you turn, streaming for your entertainment or commenting on the important political movements and hairdos of the day. Yet as more doors open on this often-misunderstood world, who hasn’t found him- or herself wondering how he or she might uncover the secrets, experience the glamour, enjoy the special advantages of lesbianism?   Helen Eisenbach’s hilariously irreverent guide provides a front-row seat to a largely female universe where love, lust, and forbidden laughter are just a fingertip away. Sharing hard-earned truths with sly insight and wit, Eisenbach reveals the fascinating inside story of a growing culture and shows how anyone can acquire the skills and state of mind to be a lesbian.   From flirting to family values, from work to play, from enlightening friends, relatives, or strangers to figuring out how to have sex with women or choose a pet, Lesbianism Made Easy answers all your questions—and some you didn’t know you had.

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  Sex and Sexuality in Georgian...

  Mike Rendell

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  “A thorough examination of the morals and mindset of Georgian Britons towards sex and sexuality . . . well-written, engaging and educational.” —Caitlyn Lynch, USA Today-bestselling author 
   
  Peek beneath the bedsheets of eighteenth- and early nineteenth-century Britain in this affectionate, informative and fascinating look at sex and sexuality during the reigns of Georges I-IV. It examines the prevailing attitudes towards male and female sexual behavior, and the ways in which these attitudes were often determined by those in positions of power and authority. It also explores our ancestors’ ingenious, surprising, bizarre and often entertaining solutions to the challenges associated with maintaining a healthy sex life. 
   
  Did the people in Georgian Britain live up to their stereotypes when it came to sexual behavior? This book will answer this question, as well as looking at fashion, food, science, art, medicine, magic, literature, love, politics, faith and superstition through a new lens, leaving the reader enlightened and with a new regard for the ingenuity and character of our ancestors. 
   
  “This book was funny, at times, and for a slim volume is quite comprehensive . . . Good introduction to the period, very easy to read and entertaining.” —Rosie Writes . .  .

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  Education and Elitism in Nazi...

  Robert Cecil

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  For more than thirty years, The Institute for Cultural Research (ICR) led the field in stimulating debate and examining ideas within the humanities. Among the Institute's active followers was J. D. Salinger, Robert Graves, Nobel Laureate Doris Lessing, and many others from all walks of life.
  
  During its long and distinguished service, ICR published dozens of papers on cultural and cross-cultural themes. Written by scientists, scholars, novelists, musicians, and an array of others, these papers formed a unique resource that is as relevant today as it was decades ago.
  
  In the years since ICR ceased formal activities, The Idries Shah Foundation has continued the spirit of its work, and have republished the full range of original monographs.

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  Sovereign of the Seas 1637 - A...

  John McKay

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  “McKay’s artful renderings provide a fitting tribute to this amazing vessel and those who participated in her planning and construction.” —Pirates and Privateers 
   
  Sovereign of the Seas was the most spectacular, extravagant and controversial warship of the early seventeenth century. The ultimate royal prestige project, whose armament was increased by the King’s decree to the unheard-of figure of 100 guns, the ship finally cost the equivalent of ten more conventional warships. A significant proportion of this total was spent on her gilded decoration, which gave the ship a unique combination of firepower and visual impact in battle that led her Dutch opponents to dub her the “Golden Devil.”  
   
  It is unsurprising that such a high-profile ship should be well-documented, but there are no contemporary plans and much of the visual evidence is contradictory. In this book, John McKay sets out to analyze the data and reconstruct the design and appearance of the ship in a degree of detail never previously attempted. The results are presented as a folio of superbly drafted plans, isometric drawings and colored renderings, covering every aspect of the design from the hull form to the minutiae of sails and rigging. Each section is accompanied by an explanatory text, setting out the rationale for his conclusions, so the book will be of value to historians of the period as well as providing superb reference for any modeler tackling of one of the most popular of all sailing ship subjects. 
   
  “A magnificent book on a magnificent ship.” —Nautical Research Journal 
   
  “Very few books of warships contain the level of detail provided here.” —Firetrench

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  The Communist Manifesto

  Karl Marx, Friedrich Engels

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  The “Manifesto of the Communist Party” was written by Marx and Engels as the Communist League’s programme on the instruction of its Second Congress (London, November 29-December 8, 1847), which signified a victory for the followers of a new proletarian line during the discussion of the programme questions.   When Congress was still in preparation, Marx and Engels arrived at the conclusion that the final programme document should be in the form of a Party manifesto (see Engels’ letter to Marx of November 23-24, 1847). The catechism form usual for the secret societies of the time and retained in the “Draft of a Communist Confession of Faith” and “Principles of Communism,” was not suitable for a full and substantial exposition of the new revolutionary world outlook, for a comprehensive formulation of the proletarian movement’s aims and tasks. See also “Demands of the Communist Party in Germany,” issued by Marx soon after publication of the Manifesto, which addressed the immediate demands of the movement.   Marx and Engels began working together on the Manifesto while they were still in London immediately after the congress, and continued until about December 13 when Marx returned to Brussels; they resumed their work four days later (December 17) when Engels arrived there. After Engels’ departure for Paris at the end of December and up to his return on January 31, Marx worked on the Manifesto alone.   The first edition of the Manifesto was a 23-page pamphlet in a dark green cover. In April-May 1848 another edition was put out. The text took up 30 pages, some misprints of the first edition were corrected, and the punctuation improved. Subsequently this text was used by Marx and Engels as a basis for later authorised editions. Between March and July 1848 the Manifesto was printed in the Deutsche Londoner Zeitung, a democratic newspaper of the German emigrants. Already that same year numerous efforts were made to publish the Manifesto in other European languages. A Danish, a Polish (in Paris) and a Swedish (under a different title: “The Voice of Communism. Declaration of the Communist Party”) editions appeared in 1848. The translations into French, Italian and Spanish made at that time remained unpublished. In April 1848, Engels, then in Barmen, was translating the Manifesto into English, but he managed to translate only half of it, and the first English translation, made by Helen Macfarlane, was not published until two years later, between June and November 1850, in the Chartist journal The Red Republican. Its editor, Julian Harney, named the authors for the first time in the introduction to this publication. All earlier and many subsequent editions of the Manifesto were anonymous.

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