Altri libri che potrebbero interessarti

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  Ave Maria - A dramatic monologue...

  Hart Crane

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  Harold Hart Crane was born on the 21st July 1899 in Garrettsville, Ohio. 
  Crane was drawn to literature at an early age, becoming a voracious reader and pursuing self-education rather than attach himself to a more formal college education, although he did attend East High School in 1913.  His developing love of poetry was nurtured with the works of the English Romantics and the French Symbolists, as well as near contemporary American poets. 
  Much of his youth was spent shuttling between Cleveland and New York as his parents’ marriage descended into continuing conflict before they separated with Crane still in his teens.  Shortly after Crane attempted to enlist in the U S Military but was rejected for being a minor. 
  His first published poem also came in 1917 with ‘C33’ and its reference to the cell number that Oscar Wilde was incarcerated in. 
  Crane now centred more of his time in New York and immersed himself in the vibrant artistic scene of Greenwich Village.  Alongside this he dabbled in various jobs to support himself, including copywriting and work in a munitions factory, as he continued to develop his ambitions for a poetic career.   
  His early work was already being noticed for its lush and rich use of words and by the time ‘White Buildings’ was published in 1926 he was being critically acclaimed. 
  Despite this success his personal life was troubled.  It was both nourishing his work and fuelling complex patterns of despair as he sought to establish his identity.  In a time when homosexuality was openly condemned his openly gay attitude sat uneasily as he pursued relationships that were both intense and emotionally fraught. 
  His acclaimed work ‘The Bridge’ in 1930 was both ambitious and a foundation stone for new American poetry.  Against this his battles with depression and alcoholism were being lost. 
  Hart Crane died on the 27th April 1932 by jumping from the deck of a steamship into the Gulf of Mexico upon his return to the United States from Mexico.  He was 32.

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  Cardiff 75 - Contemporary...

  Sara Hayes, Paul Jauregui,...

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  'heartily recommended, and a really, really good book for dipping randomly into, as well as of excellent quality all round.' – Mab Jones, Buzz
  'A big box of marvels, abuzz with distinctive voices and vivid tales. This is dazzling testament to the ability of Creative Writing groups to energise and inspire.' – Alan Bilton
  'Down-to-earth at one moment, the next fantastical, humorous or heartfelt, nostalgic or raw, and yet hospitable, grounded in locality but with connections open to the wide world' – Philip Gross
  Some collections serve to mark particular events or milestones, whilst others contain work of the highest quality. This collection manages both of these things, with 75 pieces of poetry, creative non-fiction, and short fiction by local writers celebrating 75 years of creative writing in this fabulous city of the arts.
  Cardiff Writers' Circle was formed in 1947 and is joined here by other local writing groups, all lending their imaginations to a wide variety of styles, genres, and formats. Poignant, playful, satirical, and acutely observed, this anthology is a showcase for the fantastic talent that exists today in Cardiff, city of the dragon.

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  H P Lovecraft - Chapter & Verse...

  HP Lovecraft

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  Literature is a world of words and wonder, able to take us on almost unimaginable journeys from the wild and fantastic to the grind and minutiae of life. 
   
  An author’s ideas are his building blocks, his architecture of the mind, building a structure on which all else will rest; the narrative, the characters, the words - those few words that begin the adventure. 
   
  In this series we look at some of our leading classic authors across two genres: the short story and the poem.  In this modern world there is an insatiable need to categorise and pigeon-hole everyone and everything.  But ideas, these grains and saplings of the brain, need to roam, to explore and find their perfect literary use vehicle.  Our authors are masters of many literary forms, perhaps known for one but themselves favouring another. 
   
  Story. Poems. Story.  Within these boundaries come all manner of invention and cast of characters.  And, of course, each author has their own way of revealing their own chapter and verse.    
   
  1 - Chapter & Verse - H P Lovecraft - An Introduction 
  2 - The Lurking Fear by H P Lovecraft 
  3 - Laeta - a Lament by H P Lovecraft 
  4 - Despair by H P Lovecraft 
  5 - The Conscript by H P Lovecraft 
  6 - Nemesis by H P Lovecraft 
  7 - Hallowe'en in a Suburb by H P Lovecraft 
  8 - What the Moon Brings by H P Lovecraft 
  9 - Sunset by H. P. Lovecraft 
  10 - The City by H P Lovecraft 
  11 - Providence by H P Lovecraft 
  12 - The Wood by H P Lovecraft 
  13 - Fact and Fancy by H P Lovecraft 
  14 - The Picture In The House by H P Lovecraft

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  Wichita US Marshall

  Jedediah Ravine

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  Set in the 1880’s A story  of a United States Marshall’s struggle between justice and vengeanceAnd the unintended consequences on the people he meets along the trail.Plenty of Wild West actionHeartwarming stories of friendships and loveColorful characters both young and old.A western story in the spirit of classic westerns like Shane, Lonesome Dove, and The LawmanIt’s like you were thereYou’ll listen again and again.

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  All Appears Ordinary

  Freya Bantiff

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  Quirky but connected, All Appears Ordinary invites us to look again at the day-to-day aspects of our lives. Big themes of relationships, the environment and childhood are handled lightly, maintaining a pervasive hopefulness. These poems are fearless in their desire to face everything wrong in the world and still say, 'Let me love this existence a little while longer'.
  Extraordinary and illuminating, Freya Bantiff's All Appears Ordinary is a winner of the 2023 New Poets' Prize.

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  My Baby First Birthday

  Jenny Zhang

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  Radiant and tender, My Baby First Birthday is a collection that examines innocence, asking us who gets to be loved and who has to deplete themselves just to survive. It's about existence and nonexistence, about being born—without consent. Jenny Zhang writes about accepting pain, about the way we fetishize womanhood and motherhood, and reduce women to their violations, traumas, and body parts. She questions the way we feminize and racialize nurturing, and live in service of other people's dreams. Her poems explore the obscenity of patriarchy, whiteness, and capitalism, the violence of rescue and heroism. 
   
   
   
  The magic trick in this book is that despite all these themes, the book never feels like some jeremiad. Zhang uses friendship as a lyric. She seeks tenderness, radiant beauty, and having love for your mistakes. Through all this, she writes about being alone—really alone, like why-was-I-ever-born alone—and trying, despite everything, to reach out and touch something—skin to skin, animal to animal.

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