Almost all of us have a tradesman or craftsman - a butcher, baker or candlestick maker - somewhere in our ancestry, and Adele Emm's handbook is the perfect guide to finding out about them - about their lives, their work and the world they lived in. She introduces the many trades and crafts, looks at their practices and long traditions, and identifies and explains the many sources you can go to in order to discover more about them and their families. *Chapters cover the guilds, the merchants, shopkeepers, builders, smiths and metalworkers, cordwainers and shoemakers, tailors and dressmakers, coopers, wheelwrights and carriage-makers, and a long list of other trades and crafts. The training and apprenticeships of individuals who worked in these trades and crafts are described, as are their skills and working conditions and the genealogical resources that preserve their history and give an insight into their lives. A chapter covers the general sources that researchers can turn to - the National Archives, the census, newspapers, wills, and websites - and gives advice on how to use them. *Adele Emm's introduction will be fascinating reading for anyone who is researching the social or family history of trades and crafts.
It is very hard to endure the bombs, Father. It will be difficult for anyone to survive and come back safe and sound from the war. The son who is very lucky will see his father and mother…
(Extract from a letter by an Indian soldier serving in France, written on 14 January 1915 to his father)
The Great War, as the First World War was referred to, saw the service of over 1.3 million Indians, of whom 74,000 never made it back home. For their families, the War was something they could not fully fathom. Soldiers from the Indian subcontinent won over 12,908 awards for bravery, including 11 Victoria Crosses. Yet this unprecedented show of valour by Indian soldiers remains largely unsung and unrecognised-particularly in India.
Commemorating hundred years of the end of the First World War, this volume brings together diverse voices-Rabindranath Tagore, Mulk Raj Anand, Sarojini Naidu, Mohamed Ali, Chandradhar Sharma Guleri and many more-that reflect a variety of attitudes among Indians towards the War. Included too are Rakhshanda Jalil's original translations of the works of Urdu poets of the time capturing their responses to the War. This volume of writings, originally written in Urdu, Hindi, Bengali and English, attempts to recognise and remember the contribution of the unknown soldiers to the Great War.
A #1 NEW YORK TIMES BESTSELLER
One of the most salient features of our culture is that there is so much bullshit. Everyone knows this. Each of us contributes his share. But we tend to take the situation for granted. Most people are rather confident of their ability to recognize bullshit and to avoid being taken in by it. So the phenomenon has not aroused much deliberate concern. We have no clear understanding of what bullshit is, why there is so much of it, or what functions it serves. And we lack a conscientiously developed appreciation of what it means to us. In other words, as Harry Frankfurt writes, "we have no theory."
Frankfurt, one of the world's most influential moral philosophers, attempts to build such a theory here. With his characteristic combination of philosophical acuity, psychological insight, and wry humor, Frankfurt proceeds by exploring how bullshit and the related concept of humbug are distinct from lying. He argues that bullshitters misrepresent themselves to their audience not as liars do, that is, by deliberately making false claims about what is true. In fact, bullshit need not be untrue at all.
Rather, bullshitters seek to convey a certain impression of themselves without being concerned about whether anything at all is true. They quietly change the rules governing their end of the conversation so that claims about truth and falsity are irrelevant. Frankfurt concludes that although bullshit can take many innocent forms, excessive indulgence in it can eventually undermine the practitioner's capacity to tell the truth in a way that lying does not. Liars at least acknowledge that it matters what is true. By virtue of this, Frankfurt writes, bullshit is a greater enemy of the truth than lies are.
Explore the power of myth as humanity first discovered it
Collected Works of Joseph Campbell edition — with up-to-date science
In this first volume of The Masks of God — Joseph Campbell’s major work of comparative mythology — the preeminent mythologist looks at the wellsprings of myth. From the earliest expressions of religious awe in pre-modern humans to the rites and art of contemporary primal tribes, myth has informed humankind's understanding of the world, seen and unseen. Exploring these archetypal mythic images and practices, Campbell examines the basic concepts that underlie all human myth, even to this day.
The Masks of God is a four-volume study of world religion and myth that stands as one of Joseph Campbell’s masterworks. On completing it, he wrote:
Its main result for me has been the confirmation of a thought I have long and faithfully entertained: of the unity of the race of man, not only in its biology, but also in its spiritual history, which has everywhere unfolded in the manner of a single symphony, with its themes announced, developed, amplified and turned about, distorted, reasserted, and today, in a grand fortissimo of all sections sounding together, irresistibly advancing to some kind of mighty climax, out of which the next great movement will emerge.
This new digital edition is part of the Collected Works of Joseph Campbell series. Joseph Campbell Foundation has worked with scientists and academics to bring the anthropological and paleontological information Campbell explores in line with the best twenty-first century scholarship.
(Comparative Mythology: paleontology, Neanderthal and Cro-magnon culture, neolithic and paleolithic art and religion.)
"[T]he mask in a primitive festival is revered and experienced as a veritable apparition of the mythical being that it represents — even though everyone knows that a man made the mask and that a man is wearing it. The one wearing it, furthermore, is identified with the god during the time of the ritual of which the mask is a part. He does not merely represent the god; he is the god."— Joseph Campbell, Primitive Mythology
Common People is the latest campaigning anthology from the publisher of bestsellers The Good Immigrant (70k copies sold to date) and Repeal the 8th.It features original work from some of our best-known writers: Kit De Waal, Malorie Blackman, Lisa McInerney, Cathy Rentzenbrink, Stuart Maconie, Louise Doughty, Damian Barr and Daljit Nagra among others.Kit de Waal’s debut novel, My Name is Leon, was an international bestseller. It won Kerry Group Irish Novel of the Year 2017 and was shortlisted for the Costa First Book Award, the Desmond Elliott Prize and the British Book Awards 2017 Best Debut Book of the Year.Kit is one of the UK’s most prominent voices calling for inclusivity and working-class representation in the arts, and has established a creative writing scholarship at Birkbeck University.Almost half of all authors, writers and
translators in the UK come from professional, middle-class backgrounds,
compared with just 10 per cent of those from working-class backgrounds. This
anthology addresses that pressing imbalance.There will be events across the UK on publication, including all the major literary festivals.For fans of The Good Immigrant, Know Your Place: Essays on the Working Class by the Working Class, Brit(ish) by Afua Hirsch.
Euripides was one of the greatest Greek tragedians and is considered one of the most important figures in ancient literature. Euripides is thought to have written close to 100 plays and almost 20 of them have survived. This edition of Heracles includes a table of contents.
Scribes of Space posits that the conception of space—the everyday physical areas we perceive and through which we move—underwent critical transformations between the thirteenth and fifteenth centuries. Matthew Boyd Goldie examines how natural philosophers, theologians, poets, and other thinkers in late medieval Britain altered the ideas about geographical space they inherited from the ancient world. In tracing the causes and nature of these developments, and how geographical space was consequently understood, Goldie focuses on the intersection of medieval science, theology, and literature, deftly bringing a wide range of writings—scientific works by Nicole Oresme, Jean Buridan, the Merton School of Oxford Calculators, and Thomas Bradwardine; spiritual, poetic, and travel writings by John Lydgate, Robert Henryson, Margery Kempe, the Mandeville author, and Geoffrey Chaucer—into conversation. This pairing of physics and literature uncovers how the understanding of spatial boundaries, locality, elevation, motion, and proximity shifted across time, signaling the emergence of a new spatial imagination during this era.
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