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  William Blake: Seen in My...

  William Blake

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  In 1809 the little-known artist William Blake held an exhibition of 16 paintings in a private house in Soho in the west end of London. Works inspired by Chaucer's "Canterbury Tales" and John Milton's "Paradise Lost" sat alongside biblical scenes and Arthurian legend. The exhibition was not a success; the only review in the press was extremely unfavourable and few of the public came. One of those who did was the poet Charles Lamb, who later described the pictures as 'hard, dry, yet with grace', and the catalogue that accompanied the show as 'mystical and full of vision'. It is this catalogue that Tate Publishing are once again making available. In it, the scale and range of Blake's ambition are made plain, along with his theories on painting, his unsparing critiques of other artists and some extraordinary insights into the working of his mind. The only detailed writing on art that remains to us by Blake, it throws light on all his subsequent artistic enterprises, including the illuminated books for which he is perhaps most famous. Part commentary and part manifesto, his catalogue is as radical as it is in places eccentric (he claims at one point to have been transported in a "vision" back to the classical world). Fully illustrated in colour with reproductions of surviving works originally in the exhibition, the book includes an illuminating essay by leading authority on British art Martin Myrone, Lead Curator of Pre-1800 Art at Tate Britain, making it an essential purchase for all of those wanting to know more.

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  Dragnet: Big False Make

  Jack Webb

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  Thomas Stanford confesses to robbing a store, but Sgt. Friday proves that he was at work at the time of the robbery!

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  Frank Sinatra

  Wink Martindale

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  The third part of our Hall of Fame spotlight on Frank Sinatra’s legendary career with host Wink Martindale continues the story of the artist who remains an internationally known icon. We dig deeper into the songs and soundtrack of Frank’s career as told by friends and family, those who knew him best, including Nelson Riddle, Gordon McRae and a large selection of songwriters who collaborated with Sinatra.Bandleader Riddle remembers his arrangements for Sinatra classics like “I’ve Got You Under My Skin.” Don Costa looks back on “Ol’ Blue Eyes Is Back,” Frank coming out of retirement and the genesis of “My Way.” There were autobiographical songs like “It Was A Very Good Year,” which surprisingly, weren’t written with Frank in mind -- but he quickly made them his own.

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  Historic Maritime Maps 120...

  Donald Wigal

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  In the Middle Ages, navigation relied upon a delicate balance between art and science. Whilst respecting the customs and the precautions of their forbearers, sailors had to count on their knowledge of the stars, the winds, the currents, and even of migratory flights. They also used hand-painted maps, which, although certainly summary, were marvellously well-drawn. In following the saga of old sailors, from Eric Le Rouge to Robert Peary, Donald Wigal leads us in discovering the New World. This magnificent overview of maps dating from the 10th to the 18th centuries, often ‘primitive’ and sometimes difficult to understand, retraces the progress of cartography and shows the incredible courage of men who endeavoured to conquer the seas with tools whose geographical accuracy often left much to be desired.

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  Is Birdsong Music? - Outback...

  Hollis Taylor

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  “A ground-breaking study of the songs of the pied butcherbird . . . intellectually engaging and also very entertaining as a fieldwork memoir.” —The Music Trust 
   
  How and when does music become possible? Is it a matter of biology, or culture, or an interaction between the two? Revolutionizing the way we think about the core values of music and human exceptionalism, Hollis Taylor takes us on an outback road trip to meet the Australian pied butcherbird. Recognized for their distinct timbre, calls, and songs, both sexes of this songbird sing in duos, trios, and even larger choirs, transforming their flute-like songs annually. 
   
  While birdsong has long inspired artists, writers, musicians, and philosophers, and enthralled listeners from all walks of life, researchers from the sciences have dominated its study. As a field musicologist, Taylor spends months each year in the Australian outback recording the songs of the pied butcherbird and chronicling their musical activities. She argues persuasively in these pages that their inventiveness in song surpasses biological necessity, compelling us to question the foundations of music and confront the remarkably entangled relationship between human and animal worlds. 
   
  Equal parts nature essay, memoir, and scholarship, Is Birdsong Music? offers vivid portraits of the extreme locations where these avian choristers are found, quirky stories from the field, and an in-depth exploration of the vocalizations of the pied butcherbird. 
   
  “Hollis Taylor has given us one of the most serious books ever written on animal music. Is Birdsong Music? is so engaging that all who care about humanity’s place on Earth should read it. We are certainly not the only musicians on this planet.” —David Rothenberg, author of Why Birds Sing

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  Designing Victory - The...

  Robert P. Madison, Carlo Wolff

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  As a decorated member of the historic Buffalo Soldiers, Second Lieutenant Robert P. Madison decided to enroll in the architecture program at Western Reserve University in Cleveland, Ohio, only to be summarily denied access based on his race. He returned in full dress uniform, with his Purple Heart from an injury sustained in Italy in World War II, and declared they could not keep him out of college. Under duress, he was admitted, but told by the administrators that he would never work as an architect. 
  How wrong they were. Not long after graduation, Madison opened the first African-American architectural firm in Ohio in 1954, and only the 10th in the country. This was only the beginning of many accomplishments and contributions to American society. 
  In Madison’s own words: “Between my life and the lives of relatives I have known, we cover a range of more than 160 years. That’s about two-thirds of the United States’ history. My great grandmother was born before the Civil War. I was born five years after the end of the first World War. I’ve endured the most bitter, impersonal hatred. I’ve known the sweetest, most personal love. 
  “Along the way, I received a first-class education and graduated from the best schools before opening my own business… I learned early on, however, that the halls of academe and the corner offices of the workplace are not the only way stations where one can learn about life.” 
  Madison was pioneer in civil rights and civic buildings, in creative collaboration with giants of 20th century architecture and engineering legends including Walter Gropius, Mies van der Rohe, Le Corbusier, IM Pei and Eugene Freyssinet. 
  Designing Victory is the remarkable memoir of a man who has always lived by Theodore Roosevelt’s words: “Far better is it to dare mighty things, to win glorious triumphs, even though checkered by failure.”

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