Alan Alexander Milne was born in Kilburn, London on January 18th, 1882. He was a pupil at Westminster School and then Trinity College, Cambridge where he graduated with a B.A. in Mathematics in 1903. Whilst there, he edited and wrote for Granta, a student magazine. Coming to the attention of Punch Magazine he contributed humorous verse and whimsical essays which led to him becoming not only a valued contributor but later an assistant editor. During the early part of the 20th century Milne was very prolific keeping up his numerous article writing as well as 18 plays and 3 novels. In 1920 he, and his wife of seven years, Dorothy, thought they were expecting a baby girl. When the baby was born a boy, he was named Christopher Robin Milne. In 1925, the Milne’s bought a country home, Cotchford Farm, in Hartfield, East Sussex, and on Christmas Eve that year Pooh first appeared in the London Evening News in a story called "The Wrong Sort Of Bees". A book, Winnie-the-Pooh, was published in 1926, followed by The House at Pooh Corner in 1928. A second collection of nursery rhymes, Now We Are Six, was published in 1927. All three books were illustrated by E. H. Shepard. Milne’s life was so much more than Winnie-the-Pooh but his legacy is overshadowed by the world-wide success of that not so bright bear. We hope that by reading this work you too will agree.
Arguably a pioneer of the French New Wave (with Ascenseur pour l’échafaud, 1957) Louis Malle went on to enjoy an acclaimed yet provocative and versatile transatlantic career. This collection of original essays proposes to reassess his richly eclectic and boldly subversive oeuvre and redress the surprising critical neglect it has suffered over the years. It does so through a combination of transversal and monographic analyses that use a variety of critical lenses and theoretical tools in order to examine Malle’s documentaries as well as his fiction features (and, more importantly, the constant shuttling and uniquely persistent cross-pollination between those two cinematic approaches), illuminate the profound, lasting dialogue his films entertained with literature and theater, bring to the fore their sustained, albeit often oblique autobiographical thrust along with their scathing sociopolitical critique, and scrutinize the alternating use of stars and non-professional actors.In addition, the volume features an exclusive interview with the acclaimed playwright John Guare (a close friend and collaborator of Louis Malle’s who scripted Atlantic City) and is bookended by a foreword by Volker Schlöndorff and an afterword by Wes Anderson, two renowned filmmakers who articulate their admiration for, and the seminal influence of, their predecessor.
Joseph Campbell’s collected writings on dance and art, edited and introduced by Nancy Allison, CMA, the founder of Jean Erdman Dance, and including Campbell’s unpublished manuscript “Mythology and Form in the Performing and Visual Arts,” the book he was working on when he died.
Dance was one of mythologist Joseph Campbell’s wide-ranging passions. His wife, Jean Erdman, was a leading figure in modern dance who worked with Martha Graham and had Merce Cunningham in her first company. When Campbell retired from teaching in 1972, he and Erdman formed the Theater of the Open Eye, where for nearly fifteen years they presented a wide array of dance and theater productions, lectures, and performance pieces.
The Ecstasy of Being brings together seven of Campbell’s previously uncollected articles on dance, along with “Mythology and Form in the Performing and Visual Arts,” the treatise that he was working on when he died, published here for the first time.
In this new collection Campbell explores the rise of modern art and dance in the twentieth century; delves into the work and philosophy of Isadora Duncan, Martha Graham, and others; and, as always, probes the idea of art as “the funnel through which spirit is poured into life.” This book offers the reader an accessible, yet profound and provocative, insight into Campbell’s lifelong fascination with the relationship of myth to aesthetic form and human psychology.
“Unusual insights . . . with a great deal of new information. [Campbell’s] writing reveals deep knowledge of dance and aesthetics, and clarity of thought. There are also excellent notes related to both Parts I and II at the end of the book, and these add to the reader’s understanding of the various issues and artists under discussion. Readers will find a great deal to think about in this small collection of Campbell’s work, and the book will also serve as an introduction to the thoughts of an important American writer — one who influenced many with his teaching, ideas, and books.”— Journal of Dance Education
Eudora Welty’s Photographs, originally published in 1989, serves as the definitive book of the critically acclaimed writer’s photographs. Her camera’s viewfinder captured deep compassion and her artist’s sensibilities. Photographs is a deeply felt documentation of 1930s Mississippi taken by a keenly observant photographer who showed the human side of her subjects. Also included in the book are pictures from Welty’s travels to New York, New Orleans, South Carolina, Mexico, and Europe in the 1930s, ’40s, and ’50s.The photographs in this edition are new digital scans of Welty’s original negatives and authentic prints, restoring the images to their original glory. It also features sixteen additional images, several of which were selected by Welty for her 1936 photography exhibit in New York City and have never before been reproduced for publication, along with a resonant, new foreword by Pulitzer Prize–winning writer and Mississippi native Natasha Trethewey.
Hamilton, the hip-hop rap musical, has revolutionized theater. It’s the story of an immigrant, “young, scrappy, and hungry,” who kicked off the Revolutionary War and built the central government of today. Within this book appears the musical’s backstory with many deeper insights. How do the Schuyler Sisters’ signature colors reveal their personalities? Which stage equipment best amplifies the themes? What of the words like “Satisfied” and “My Shot,” with so many double and triple meanings? Most importantly, we’ll explore how the show hauntingly echoes today’s political climate and hottest issues. As the musical extends a mirror of vibrant, diverse, passionate America, it captivates all who discover it.
Packed with the signature can-do attitude that makes beloved artist Danny Gregory a creativity guru to thousands across the globe, this unique guide serves up a hearty helping of inspiration. For aspiring artists who want to draw and paint but just can't seem to find time in the day, Gregory offers 5– to 10–minute exercises for every skill level that fit into any schedule—whether on a plane, in a meeting, or at the breakfast table—along with practical instruction on techniques and materials, plus strategies for making work that's exciting, unintimidating, and fulfilling. Filled with Gregory's encouraging words and motivating illustrations, Art Before Breakfast teaches readers how to develop a creative habit and lead a richer life through making art.
In 2009 Phil Spector, the legendary record producer, was sentenced to life imprisonment for the murder of B-movie actress Lana Clarkson. It was an ignominious climax to a life of staggering highs and scarcely believable lows. Wall of Pain, Dave Thompson's biography of Phil Spector, has now been updated to include important details of the seemingly interminable trial.
The architect of the Wall Of Sound, Spector's already iconic status in the music world was enhanced by his work with The Beatles. Writer and producer of countless hits, his innovative genius in the studio revitalised music production in the 1960s and changed the way we listen to music forever.
But there was always a dark side to Phil Spector. His success became over-shadowed by his reputation for eccentricity and excess, his fractious personality and fascination with handguns eventually proving a lethal combination.
Featuring interviews from those closest to him, including former wife Ronnie Spector, Wall of Pain concludes the painful tale of pop's tortured genius.
24symbols is a digital reading service without limits. In exchange for a small monthly fee you can download and read all of the books offered in our catalogue on any device (mobile, tablet, e-reader with web navigator or PC). Our catalogue includes more than 1 million books in several languages. This subscription can be terminated at any time in the section "Subscription".
24symbols’ service is managed by Bestsharer S.L. If you have any questions, you can consult our Terms and Conditions, our online help, contact us at [email protected], [email protected] or through our telephone hotline at (+44) 02034995037 Mo-Fr 09:00 am - 5:00 pm. If you subscribed through your mobile operator and you no longer want to continue with your subscription, we will miss you but you can directly cancel your subscription here or sending an SMS.