Join us on a literary world trip!
Add this book to bookshelf
Grey
Write a new comment Default profile 50px
Grey
Subscribe to read the full book or read the first pages for free!
All characters reduced
Sons and Lovers - cover

Sons and Lovers

D. H. Lawrence

Publisher: Charles River Editors

  • 0
  • 0
  • 0

Summary

David Herbert Lawrence (September 11, 1885  March 2, 1930) was an English author who based much of his work off of his family life.  Some of Lawrences books were banned in England due to the sexual content they contained.  Despite the controversial nature of his works, few can deny Lawrence was a very talented writer.  Some of Lawrences best known works are Sons and Lovers, Women in Love, and Lady Chatterleys Lover.
Available since: 03/22/2018.

Other books that might interest you

  • The Silent Cry - A Novel - cover

    The Silent Cry - A Novel

    Kenzaburo Oe

    • 0
    • 0
    • 0
    Two brothers in post-war Japan experience an ideological conflict when they reunite at their family home in this philosophical novel by a Nobel laureate. 
     
    The Silent Cry follows two brothers who return to their ancestral home, a village in densely forested Western Japan. After decades of separation, the reunited men are each preoccupied by their own personal crises. One brother grapples with the recent suicide of his dearest friend, the birth of his disabled son, and his wife’s increasing alcoholism. The other brother sets out to incite an uprising among the local youth against the disintegration of the community’s culture and economy due to the imposing franchise of a Korean businessman nicknamed the “Emperor of the Supermarkets.” Both brothers live in the shadow of the mysteries surrounding the untimely deaths of their older brother and younger sister, as well as their great-grandfather’s political heroism. When long-kept family secrets are revealed, the brothers’ strained bond is pushed to its breaking-point and their lives are irrevocably changed . . .  
     
    Considered Oe’s most essential work by the Nobel Prize committee, The Silent Cry is as powerfully relevant today as it was when first published in 1967. 
     
    Praise for The Silent Cry 
     
    “[The Silent Cry] allows us a glimpse of Oe’s narrative mastery.” —Nobel Prize citation 
     
    “Somehow—and this is what gives his art such unquestionable stature—Oe manages to smuggle a comic thread in all this tragedy.” —Independent (UK) 
     
    “A new pinnacle in post-war Japanese fiction.” —Yukio Mishima 
     
    “Oe, in the range of hope and despair he covers, seems to me to have in him a touch of Dostoevsky.” —Henry Miller 
     
    “Oe is dense, analytical, with a highly modern self-consciousness, though there’s real nostalgia here for the dying traditions of pre-Westernized supermarket culture. A picture of fragmenting identity and social breakdown as brutalizing as the 20th century itself.” —Kirkus Reviews
    Show book
  • Count of Monte Cristo The - Volume 5 (Unabridged) - cover

    Count of Monte Cristo The -...

    Alexandre Dumas

    • 0
    • 0
    • 0
    Thrown in prison for a crime he has not committed, Edmond Dantes is confined to the grim fortress of If. There he learns of a great hoard of treasure hidden on the Isle of Monte Cristo and he becomes determined not only to escape, but also to unearth the treasure and use it to plot the destruction of the three men responsible for his incarceration. Dumas' epic tale of suffering and retribution, inspired by a real-life case of wrongful imprisonment, was a huge popular success when it was first serialized in the 1840s.VOLUME 5: Three days after the scene we have just described, namely towards five o'clock in the afternoon of the day fixed for the signature of the contract between Mademoiselle Eugénie Danglars and Andrea Cavalcanti, whom the banker persisted in calling prince, a fresh breeze was stirring the leaves in the little garden in front of the Count of Monte Cristo's house.
    Show book
  • Female Short Story The - A Chronological History - Volume 1 - Aphra Behn to Harriet Beecher Stowe - cover

    Female Short Story The - A...

    Aphra Behn, Eliza Haywood, Mary...

    • 0
    • 0
    • 0
    A wise man once said ‘The safest place for a child is in the arms of his mother’s voice’.  This is a perfect place to start our anthology of female short stories. 
     
    Some of our earliest memories are of our mothers telling us bedtime stories. This is not to demote the value of fathers but more to promote the often-overshadowed talents of the gentler sex. 
     
    Perhaps ‘gentler’ is a word that we should re-evaluate. In the course of literary history it is men who dominated by opportunity and with their stranglehold on the resources, both financial and technological, who brought their words to a wider audience.  Men often placed women on a pedestal from where their talented words would not threaten their own.   
     
    In these stories we begin with the original disrupter and renegade author Aphra Behn.  A peek at her c.v. shows an astounding capacity and leaves us wondering at just how she did all that. 
     
    In those less modern days to be a woman, even ennobled, was to be seen as second class.  You literally were chattel and had almost no rights in marriage.  As Charlotte Smith famously said your role as wife was little more than ‘legal prostitute’.  From such a despicable place these authors have used their talents and ideas and helped redress that situation.   
     
    Slowly at first.  Privately printed, often anonymously or under the cloak of a male pseudonym their words spread.  Their stories admired and, usually, their role still obscured from rightful acknowledgement. 
     
    Aided by more advanced technology, the 1700’s began to see a steady stream of female writers until by the 1900’s mass market publishing saw short stories by female authors from all the strata of society being avidly read by everyone.  Their names are a rollcall of talent and ‘can do’ spirit and society is richer for their works.   
     
    In literature at least women are now acknowledged as equals, true behind the scenes little has changed but if (and to mis-quote Jane Austen) there is one universal truth, it is that ideas change society.  These women’s most certainly did and will continue to do so as they easily write across genres, from horror and ghost stories to tender tales of love and making your way in society’s often grueling rut.  They will not be silenced, their ideas and passion move emotions, thoughts and perhaps more importantly our ingrained view of what every individual human being is capable of.    
     
    It is because of their desire to speak out, their desire to add their talents to the bias around them that we perhaps live in more enlightened, almost equal, times.   
     
    Within these stories you will also find very occasional examples of historical prejudice.  A few words here and there which in today’s world some may find inappropriate or even offensive.  It is not our intention to make anyone uncomfortable but to show that the world in order to change must reconcile itself to the actual truth rather than put it out of sight.  Context is everything, both to understand and to illuminate the path forward.  The author’s words are set, our reaction to them encourages our change. 
     
    01 - The Female Short Story. A Chronological History - An Introduction - Volume 1 
    02 - The Unfortunate Bride or The Blind Lady a Beauty by Aphra Behn 
    03 - Fantomina or, Love in a Maze by Eliza Haywood - Part 1 
    04 - Fantomina or, Love in a Maze by Eliza Haywood - Part 2 
    05 - The Story of Sir Bertrand by Anna Laetitia Barbauld 
    06 - Betty Brown, the St Giles Orange Girl by Hannah More 
    07 - The Changeling by Mary Lamb 
    08 - The White Pigeon by Maria Edgeworth 
    09 - Cousin Mary by Mary Russell Mitford 
    13 - The Mourner by Mary Shelley 
    11 - The Prediction by Mary Diana Dods writing as David Lyndsey 
    12 - The Quadroons by Lydia Maria Child<p
    Show book
  • To be Taken in Water - cover

    To be Taken in Water

    George Walter Thornbury

    • 0
    • 0
    • 0
    George Walter Thornbury (1828-1876) was an English writer and a favourite of Charles Dickens.When Herbert Blamyre is summoned back from his vacation for an urgent mission, he knows it is a matter of great importance to his firm. And indeed, he is to travel to Naples with two trunks, secured with cryptic letter locks, containing a million in gold. His instructions are to speak to nobody and make no friends on his journey. But already when he boards the boat to Calais, he strikes up an acquaintance with the blustery Major and his domineering wife, as well as the rather odd Mr. Levinson, a commercial traveller in waterproofs...who mysteriously is travelling with an identical set of trunks.An action-packed adventure follows, as it becomes clear that none of the passengers is quite what they seem...and the series of mishaps en route cannot be quite so coincidental as they are portrayed to be. A riveting yarn!
    Show book
  • Mathilda - cover

    Mathilda

    Mary Wollstonecraft Shelley

    • 0
    • 0
    • 0
    The second novel from Mary Shelley, written in 1819/20 but not published in full until 1959. The story deals with common Romantic themes, but also incest and suicide. 
    Narrating from her deathbed, Mathilda tells the story of her unnamed father’s confession of incestuous love for her, followed by his suicide by drowning; her relationship with a gifted young poet called Woodville fails to reverse Matilda’s emotional withdrawal or prevent her lonely death. The act of writing this short novel distracted Mary Shelley from her grief after the deaths of her one-year-old daughter Clara at Venice in September 1818 and her three-year-old son William in June 1819 in Rome. These losses plunged Mary Shelley into a depression that distanced her emotionally and sexually from Percy Shelley and left her, as he put it, “on the hearth of pale despair”. 
    The story may be seen as a metaphor for what happens when a woman, ignorant of all consequences, follows her own heart while dependent on her male benefactor. 
    Mary Shelley sent the finished Mathilda to her father in England, to submit for publication. However, though Godwin admired aspects of the novel, he found the incest theme “disgusting and detestable” and failed to return the manuscript despite his daughter’s repeated requests. In the light of Percy Shelley’s later death by drowning, Mary Shelley came to regard the novel as ominous; she wrote of herself and Jane Williams “driving (like Mathilda) towards the sea to learn if we were to be for ever doomed to misery”. The novel was published for the first time in 1959, edited by Elizabeth Nitchie from dispersed papers. It has become possibly Mary Shelley’s best-known work after Frankenstein.
    Show book
  • Merchant of Venice The (Argo Classics) - cover

    Merchant of Venice The (Argo...

    William Shakespeare

    • 0
    • 0
    • 0
    William Collins Books and Decca Records are proud to present ARGO Classics, a historic catalogue of classic prose and verse read by some of the world’s most renowned voices. Originally released as vinyl records, these expertly remastered stories are now available to download for the first time. 
    'The quality of mercy is not strain'd, 
    It droppeth as the gentle rain from heaven’ 
    Bassiano, a noble Venetian, hopes to woo the beautiful heiress Portia. However, he requires financial assistance from his friend Antonio. Antonio agrees, but he, in turn, must borrow from the Jewish moneylender Shylock. As recourse for past ills, Shylock stipulates that the forfeit on the loan must be a pound of Antonio’s flesh. 
    In the most renowned onstage law scene of all time, Portia proves herself one of Shakespeare’s most cunning heroines, disguising herself as a lawyer and vanquishing Shylock’s claims; meanwhile, Shylock triumphs on a humanitarian level with his plea for tolerance. 
    All of the Shakespeare plays within the ARGO Classics catalogue are performed by the Marlowe Dramatic Society and Professional Players. The Marlowe was founded in 1907 with a mission to focus on effective delivery of verse, respect the integrity of texts, and rescue neglected plays by Shakespeare’s contemporaries and the less performed plays of Shakespeare himself. The Marlowe has performed annually at Cambridge Arts Theatre since its opening in 1936 and continues to produce some of the finest actors of their generations. 
    Thurston Dart, Professor of Music at London University and a Fellow of Jesus College Cambridge, directed the music for this production. 
    The full cast includes: Donald Beves; John Barton; Toby Robertson; George Rylands; Gary Watson; Anthony Jacobs; Gerald Mosback; Derek Jacobi; Richard Marquand; Tony Church; Clive Swift; Michael Bates; Terrence Hardiman; Christopher Renard; John Tracy-Phillips; Margaretta Scott; Christine Baker; Janette Richer. 
    This short, yet impactful play, is a testament to the best of European theatre, showcasing the performing prowess of the Marlowe Dramatic Society and Professional Players. The Merchant of Venice, a masterpiece by William Shakespeare, continues to resonate with audiences, proving the timeless nature of its themes and characters. 
    For fans of Richard Parsons (GCSE English Shakespeare Text Guide), and Arthur Miller (Incident at Vichy).
    Show book